A young couple travels to Sweden to visit their friend’s rural hometown and attend its mid-summer festival. What begins as an idyllic retreat quickly descends into an increasingly violent and bizarre competition at the hands of a pagan cult.

Flora Lau’s debut feature is a beautifully formed, subtle film that focuses on the lives of two people with very different prospects – a wealthy Hong Kong woman and her mainland Chinese chauffeur – both trying to cope with life’s unexpected dramas. Anna (Carina Lau) struggles to maintain appearances with her status-conscious friends after her husband mysteriously vanishes. Fai’s (Chen Kun) wife is heavily pregnant with their second child, has no health care entitlements in Hong Kong and cannot give birth in their homeland without incurring penalties for breaching the one-child policy. While their daily routines intersect, their fates only momentarily converge and Lau elegantly critiques the social contradictions at play by paralleling their predicaments rather than constructing drama between the two protagonists. (Source: LFF programme)

This sharp-witted dramedy studies a middle-aged NYC theatre actress suddenly forced to figure out the kind of person she wants to portray in real life when her marriage comes to an end after she catches her husband cheating.

Nam-bok, a middle-aged South Korean farmer is conscripted and assigned a mission to deliver a classified military document that may decide the fate of the war. After losing it while under attack from the enemy, he then faces a teenage North Korean soldier named Yeong-gwang who happens to acquire the secret document on his way to the North.

Nearly a year after a botched job, a hitman takes a new assignment with the promise of a big payoff for three killings. What starts off as an easy task soon unravels, sending the killer into the heart of darkness.

Celeste is a renowned opera diva who retired early for the man she loved to live on a crumbling and beautiful estate in the heart of a rainforest in Far North Queensland. Ten years after the tragic death of her husband, Mateos, in a boating accident, Celeste is set to return to the stage for her final performance. Her husband’s son Jack, still haunted by the past, arrives amidst the preparations for the performance and finds Celeste is as he remembered – beautiful, intoxicating and dangerous. Celeste wants Jack to stay at the estate, but needs him to perform one last request.

100 years ago, titans suddenly appeared on Earth. Soon, human civilization veered on collapse due to the titans. Humans then built a giant wall to defend themselves. Within the giant walls, humans lived in peace, but, 100 years later, the giant wall is broken.

Rod Steiger is ferocious as a scheming land developer in Francesco Rosi’s Hands over the City, a blistering work of social realism and the winner of the 1963 Venice Film Festival Golden Lion. This expose of the politically driven real-estate speculation that has devastated Naples’s civilian landscape moves breathlessly from a cataclysmic building collapse to the backroom negotiations of civic leaders vying for power in a city council election, laying bare the inner workings of corruption with passion and outrage.

A between-the-sheets peek at Black Love and Sexuality

The relationship between two neighboring farm families are strained when one of them chooses to lease their land to an oil and gas company. In the midst of growing tension, the land is drilled, and something long dormant and terrifying, deep beneath the earth’s surface is released. “Unearth” is about the horrifying repercussions sown by short-sighted decisions, and what our children reap from our actions.

After running away from her abusive mother, a streetwise teen seeks refuge with her father, but he rejects her when he learns that she’s pregnant.

This second edition of Stone Bench Creations’ anthology of short films contains four shorts with a prelude that are linked by their genre.