Ambitious overachiever Hanna just needs one more kid before her life is perfect. Instead, her baby daddy unexpectedly dumps her. Suddenly, she finds herself without a place to live, job or family. With every fiber of her being set for victory, Hanna refuses to give up and decides to win him back. But to get there means having to win something much more important, love and desire for herself and who she is.

As Garibaldi’s troops begin the unification of Italy in the 1860s, an aristocratic Sicilian family grudgingly adapts to the sweeping social changes undermining their way of life. Proud but pragmatic Prince Don Fabrizio Salina allows his war hero nephew, Tancredi, to marry Angelica, the beautiful daughter of gauche, bourgeois Don Calogero, in order to maintain the family’s accustomed level of comfort and political clout.

On 3 April 2004, during the holiday of Ashura, Iraqi rebels loyal to Shiite leader Muktada As-Sadr, launched an insurgency in the Polish zone. The Poles, together with Bulgarian soldiers and Iraqi police, were given the task of defending City Hall, led by Lieutenant colonel Grzegorz Kaliciak. The clash developed into the biggest Polish engagement since World War II. Not a single allied soldier died, although about 80 insurgents were killed in a counter-attack.

A series of escalating incidents around the world lead to greater and greater conflict, placing the superpowers at one another’s throats. Armies march, bombs rain down, soldiers storm the beaches. One family is caught up in the ever-growing conflict. Can they survive as total war is declared and nuclear weapons are unleashed?

An advocate of sex, but not of marriage, bachelor Daegyu (played by singer-turned-actor Im Changjeon), 26, produces bootleg music albums for a living. One day, he comes across a plucky, nine-year-old boy named Jeon Ingwon (played by Lee Inseong) who insists that he is Daegyu’s son born out of wedlock. Daegyu tries every possible means to send the bold boy back to where he came from, including reporting him to the police, deserting him on the street and even pretending not to have known him, but to no avail. Ingwon makes an offer to Daegyu: he will leave him forever if they first travel across the country together. During the journey, Daegyu comes to learn Ingwon’s secret and finds a reason not to continue their cross-land journey.

The duty manager of a seaside cinema, who is struggling with her mental health, forms a relationship with a new employee on the south coast of England in the 1980s.

Catherine Clare reluctantly trades life in 1980s Manhattan for a remote home in the tiny hamlet of Chosen, New York, after her husband George lands a job teaching art history at a small Hudson Valley college. Even as she does her best to transform the old dairy farm into a place where young daughter Franny will be happy, Catherine increasingly finds herself isolated and alone. She soon comes to sense a sinister darkness lurking both in the walls of the ramshackle property—and in her marriage to George.

A very handsome man finds the love of his life, but he suffers an accident and needs to have his face rebuilt by surgery after it is severely disfigured.

Isolated in his austere penthouse overlooking Central Park, obsessive Wall Street data analyst Richard Boca sees ominous patterns. His computer models are behaving erratically, as are the swarms of mosquitos breeding in his apartment, an infestation that attends his psychological meltdown.

The true story of the investigation of the “Zodiac Killer”, a serial killer who terrified the San Francisco Bay Area, taunting police with his ciphers and letters. The case becomes an obsession for four men as their lives and careers are built and destroyed by the endless trail of clues.

A pianist plays in a huge theatre on a cylindrical piano, which is rotated by his dwarf assistant. The theatre is part of a huge, spherical city. Upon waking, he turns out to be a street musician, who has a restraining order, but wants to teach his daughter how to play the piano.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.