The time is the late ’80s, a crucial period in the history of South Africa. President P.W. Botha is hanging on to power by a thread as the African National Congress (ANC) takes up arms against apartheid and the country tumbles toward insurrection. A British mining concern is convinced that their interests would be better served in a stable South Africa and they quietly dispatch Michael Young, their head of public affairs, to open an unofficial dialogue between the bitter rivals. Assembling a reluctant yet brilliant team to pave the way to reconciliation by confronting obstacles that initially seem insurmountable, Young places his trust in ANC leader Thabo Mbeki and Afrikaner philosophy professor Willie Esterhuyse. It is their empathy that will ultimately serve as the catalyst for change by proving more powerful than the terrorist bombs that threaten to disrupt the peaceful dialogue.
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A man must track down the reasons behind his brother’s mysterious death, and uncovers a secret neo-Nazi group headed by a powerful congressman.
Provocative, outrageously profane and surprisingly tender amidst an explosion of unbridled testosterone, 44 INCH CHEST explores the masculine ego at breaking point, testing whether fear is stronger than love. Colin (Ray Winstone) is in agony, shattered by his wife’s (Joanne Whalley) infidelity, so his friends kidnap the wife’s lover so he can have his revenge.
When George and her colleagues get a new boss whose focus is on moving souls quickly and enjoying life without consequences, the team begins to break the strict reaper rules. While her friends fall victim to their desires for money, success, and fame, George breaks another rule by revealing her true identity to her living family.
Based on Wall Street Journal reporter Deborah Ball’s widely-read book “House of Versace: The Untold Story of Genius, Murder, and Survival”, the movie brings to light the story of Donatella, who, following the brazen murder of her brother, world-renowned designer Gianni Versace (Colantoni) at the height of his success, is suddenly thrust into the spotlight as head designer of his fashion empire. At first ridiculed by critics worldwide, Donatella falls victim to drug addiction and nearly bankrupts the company. With the help of her family, including daughter Allegra, Aunt Lucia (Welch) and brother Santo (Feore), she enters rehab to confront her demons and soon comes back stronger than ever to re-ignite the beloved Versace brand with her own vision and builds one of the most powerful and influential fashion houses ever known.
Buenos Aires is in a deep recession. As the money runs out, the relationship between an employer and her live-in maid changes dramatically.
Serving her country is an honour for Judith (GiGi Erneta: Friday NIght Lights, Vernonica Mars), an army nurse whose Vietnam veteran father (William Devane: Knots Landing, 24) taught her the importance of sacrifice. After a tour in Iraq, she returns home and combats severe post-traumatic stress in the form of nightmares. She and her father share a loving bond strengthened by military camaraderie. Envious of their relationship, her brothers (led by John Schneider: The Dukes of Hazzard) shockingly rebuff her… a snub that intensifies when their father dies suddenly. Faced with the task of healing her family and mind, she relies on her faith to fight the battle. But she also battles post traumatic stress initiated by a P.O.W. experience when she fought for her life and the salvation of a fellow American solider while in captivity. When a secret is revealed, the brothers must find a way to humble themselves and make amends.
Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound (Vivaldi, Bach, Wagner), and is an interpretation of the particular aria.
A troubled young man named Hamilton returns home for the first time in years since leaving for college and reconnects with his childhood best friend, Tucker. The two reflect on life, love, adulthood, and the ups and downs of childhood.
Alma’s family has been producing quality olive oil in the Baix Maestrat area of Spain’s Castellón for generations. Yet changing pressures in the industry have made their traditional practices economically untenable, and the family is now in the mass-production poultry business. Alma’s grandfather has not spoken in years. Sadness envelopes him, and he no longer wants to eat. His sons—Alma’s father and uncle—are impatient with him, but Alma understands her grandfather. She realizes he has been grieving for a thousand-year-old olive tree that the family has uprooted and sold to pay some debts. (A sadly common reality in Castellón at present.) Unable to bear the idea that her grandfather could die without seeing this terrible wrong corrected, Alma undertakes a quixotic mission to locate the tree and return it to the family orchard, so that her grandfather may have peace in his final days.
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