Griffin Dunne’s years-in-the-making documentary portrait of his aunt Joan Didion moves with the spirit of her uncannily lucid writing: the film simultaneously expands and zeroes in, covering a vast stretch of turbulent cultural history with elegance and candor.

Digital Dissidents are the warriors of the digital age: republican patriots, radical anarchists and cyber-hippies fighting side by side for transparency and privacy in a digital world which is permeating our lives more and more. For this they are imprisoned, live in exile, and have lost careers and families. Why do they do it? What motivates them? What are they warning us about?

We live at a moment in time when the Israeli-Palestinian conflict, now more than a century old, continues to be of overwhelming international political and societal importance. From its inception, that conflict has also, of course, had powerful and deeply troubling consequences for Israelis and Palestinians themselves. The story at its most basic level is one that involves two peoples struggling for national recognition and expression in a small but richly significant piece of land. The tragedy of this history, as both the Israeli novelist, Amos Oz, and the Palestinian scholar, Sari Nusseibeh, have each pointed out, stems from a conflict between the rights of two peoples with equal and legitimate aspirations to nationhood and self-expression in a single small territory to which they can both lay claim.

The film looks behind the fear, hype and politics that polarize people into emotionally charged pro-vaccine or anti-vaccine camps with no room for middle ground. Verite stories of individuals and their families, whose lives have been forever changed by vaccine choices, interwoven with interviews from leading experts in the field, will re-frame the vaccine debate and offer, for the first time, the opportunity to have a rational, scientific and factual discussion on how to create a more effective vaccine program in America today.

The story of Chernobyl told through a newly discovered hoard of dramatic footage filmed at the nuclear plant during the disaster and deeply personal interviews of those who were there, directed by Emmy Award-winner and Russian-speaker James Jones.

Before forensics, DNA, and CSI we had dollhouses – an unimaginable collection of miniature crime scenes, known as the Nutshell Studies of Unexplained Death. Created in the 1930s and 1940s by a crime-fighting grandmother, Frances Glessner Lee created the Nutshells to help homicide detectives hone their investigative skills. These surreal dollhouses reveal a dystopic and disturbing slice of domestic life with doll corpses representing actual murder victims, or perhaps something that just looks like murder. Despite all the advances in forensics, the Nutshells are still used today to train detectives. Documentary film, Of Dolls and Murder, explores the dioramas, the woman who created them, and their relationship to modern day forensics. From the iconic CSI television show to the Body Farm and criminally minded college students, legendary filmmaker and true crime aficionado, John Waters narrates the tiny world of big time murder.

In 2005, 20-year-old Ryan Ferguson was convicted and sentenced to 40 years in prison for a crime he did not commit. dream/killer is the story of how his father Bill embarked on 10-year campaign to prove Ryan’s innocence. The film is chock-full of incredible characters. From the questionable District Attorney Kevin Crane, and the highly-confused witness Chuck Erickson, to the high-powered Chicago attorney Kathleen Zellner, the doc depicts both a highly flawed justice system, as well as one that can work brilliantly.

The story of Simon Fitzmaurice, a young filmmaker who becomes completely paralyzed from motor neuron disease but goes on to direct an award-winning feature film through the use of his eyes.

Literal and creationist interpretation of the Bible is the fastest-growing branch of Christianity in the U.S. This film takes an in-depth look at the views of these Christians who reject Charles Darwin’s theory of evolution–while also examining how Darwin handled the question of God himself as he developed his theory of natural selection in the mid-1800s.

As Rio de Janeiro took to the world stage with preparations for the 2014 FIFA World Cup and 2016 Summer Olympics, a community of self-described “urban Indians” organized to fight back against their forced evictions, joining forces with other marginalized groups. A familiar narrative has emerged as these roaming corporate sporting events descend upon metropolises, causing major disruption and corruption to local democracies while displacing the most vulnerable. The resistance continues to grow from country to country, diminishing the power of these conglomerates with activism, independent media coverage and the determination of locals to hold their ground. Spending six years following their plight, Jason O’Hara embedded himself within these communities, steadfastly committed to highlighting the injustices that abound. Now that the spotlight moves on to Russia and Japan for these events, it’s increasingly necessary to witness the battles fought so they don’t end in vain

Curtis Duffy, a teen who fought and stole for the thrill, discovered his place in the kitchen after a home economics teacher nurtured his talents. After an unimaginable tragedy involving his parents, Duffy doubled down on his cooking career. Soon, his intense drive earned him accolades as one of the country’s most renowned chefs. But as he began building his dream restaurant in Chicago, called Grace, Duffy found himself in another point of personal crisis: His laser focus cost him his marriage and two young daughters. For Grace is a documentary about food, family, sacrifice, and the journey from concrete box to opening night of one of the world’s most acclaimed restaurants.

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