A young Englishman marries a glamorous American. When he brings her home to meet the parents, she arrives like a blast from the future – blowing their entrenched British stuffiness out the window.
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After her birthday party, ad executive Michelle finds herself caught between cheerful Tony, dreamy Bill, youthful Jeb, and rich Tiger. Overwhelmed with stress, another complication quietly forms in her life.
Game 6 is a 2005 American film directed by Michael Hoffman, first presented at the Sundance Film Festival in 2005 and released in the United States in 2006. Michael Keaton stars.
The film depicts the events of October 25, 1986 in the life of Nicky Rogan, specifically the opening of his latest play juxtaposed with Game 6 of the 1986 World Series, with a screenplay that Don DeLillo wrote in 1991. The soundtrack was written and performed by Yo La Tengo.
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Potential Northwestern fellow Tess Harper lasers through her best friend’s wedding planning like the star doctor she hopes to soon become. In fact, Tess puzzles through any problem – provided it’s not her own. When she meets divorce lawyer and groom’s best friend, Michael, Tess maneuvers around him like a gurney in the emergency room until she discovers this best man has a few moves of his own.
A young boxer and a call girl get caught up in a drug-smuggling scheme over the course of one night in Tokyo.
Two doctors find their graveyard shift inundated with townspeople ravaged by sores. Among the wounded is Cherry, a dancer whose leg was ripped from her body. As the invalids quickly become enraged aggressors, Cherry and her ex-boyfriend Wray lead a team of accidental warriors into the night.
After twenty years of marriage, art professor Nino Rolfe attempts to break down his wife Teresa’s conventional modesty. Noticing her affection for their daughter’s fiancé, Nino instigates her sexual interest in him as well. This sets off a chain of unexpected events and emotional complications, as Nino and his unpredictable fascist daughter find that they both enjoy being jealous.
The European war was only beginning to erupt across national borders. Its titular hero, Johnny Jones, is an American crime reporter dispatched by his New York publisher to put a fresh spin on the drowsy dispatches emanating from overseas, his nose for a good story promptly leading him to the crime of fascism and Nazi Germany’s designs on European conquest In attempting to learn more about a seemingly noble peace effort, Jones who walks into the middle of an assassination, uncovers a spy ring, and, not entirely coincidentally, falls in love.
Martha Beck, an obese nurse who is desperately lonely, joins a “correspondence club” and finds a romantic pen pal in Ray Fernandez. Martha falls hard for Ray, and is intent on sticking with him even when she discovers he’s a con man who seduces lonely single women, kills them and then takes their money. She poses as Ray’s sister and joins Ray on a wild killing spree, fueled by her lingering concern that Ray will leave her for one of his marks.
What happens when a screenwriter (Brooks) loses his edge, he turns to anyone he can for help… even if it’s the mythical “Zeus’s Daughter” (Stone). And he’s willing to pay, albeit reluctantly, whatever price it takes to satisfy this goddess, especially when her advice gets him going again on a sure-fire script. However, this is not the limit of her help, she also gets the writer’s wife (MacDowell) going on her own bakery enterprise, much to the chagrin of Brooks, who has already had to make many personal sacrifices for his own help.
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