Follow a beloved Andy Warhol Brillo Box sculpture as it makes its way from a family’s living room to a record-breaking Christie’s auction, blending personal narrative with pop culture, and exploring how we navigate the ephemeral nature of art and value.

Back in the 80s, five friends cause raucous in their schooldays. Twenty years on and they’ve got jobs they don’t want and wives who don’t want them. The leader of the gang, Frankie, is now dying in Yorkshire. The others find out and they get together for one last sad, mad, bad road trip to Dewsbury, before it’s all too late. Mix in a dollop of The Inbetweeners’ intellectual wit, add a pinch of bromancing from The World’s End, and then stir in a few ladles of The Hangover’s vomit and you’ve got Destination: Dewsbury, destined to be one of 2018’s funniest releases.

In an attempt at greater efficiency, the chef of a fancy oceanside restaurant and his assistant wreak havoc in the establishment. Adding to the complications is the arrival of a robber.

Ron Simmons (Josh Cooke) is ready to settle down and get married, but first, he must survive his out-of-control bachelor party. With his best buds shoving booze, women and more booze in his face.Stripper fights, a sex addicts’ convention and a suddenly-coed shake-your-booty competition all lead to solid laughs in this outrageous sequel to the 1984 comedy hit Bachelor Party.

A decade and a half after their seminal indie film launched meteoric filmmaking careers, Splick and Jason find themselves staring at their own individual, pre-midlife crises. Having not spoken to one another since a late-nineties falling out, they’re each grappling with the challenges of stalled careers and relationships, as the hands of time creep ominously past forty-o’clock. Splick’s most recent TV show, centered around his character’s perverse relationship with dessert foods, is unceremoniously cancelled by the network, forcing a return to his childhood bedroom at his mother’s apartment in New York. Frustrated by a barrage of comments about the “good,” “funny,” movies he used to make with his old partner, Jason, Splick determines to seek him out and attempt a reunion.

Two would-be thieves forge a surprising relationship with an unexpected housesitter when they accidentally trap themselves in a house they just broke into.

On January 1, 2014, recreational marijuana sales began in Colorado. With all eyes on ground zero of the green rush, The Denver Post became the first major media outlet to embrace it and appointed the world’s first marijuana editor. Legalization is not just an experiment for society, but a risk for the dying industry of newspapers to hedge its bets on the booming business of marijuana. Ricardo Baca sets out to report on history in the making with a team of straight-laced staff writers and fish out of water freelancers in tow for The Cannabist as it unfolds. Policy news, strain reviews, parenting advice and edible recipes are the new norm in the unprecedented world of pot journalism.

After discovering he’s not really black like the rest of his family, likable dimwit Navin Johnson runs off on a hilarious misadventure in this comedy classic that takes him from rags to riches and back to rags again. The slaphappy jerk strikes it rich, but life in the fast lane isn’t all it’s cracked up to be and, in the end, all that really matters to Johnson is his true love.

Tracing the history of blue jeans around the globe.

Evil has spread across the land. Martial Law: 9/11 Rise of the Police State exposes the high-tech control grid that is being set up across America Out of the ashes of the September 11th tragedy, a dark empire of war and tyranny has risen. The Constitution has been shredded and America is now a Police State. This film exposes not just who was behind the 9-11 attacks, but the roots and history of its orchestrators.

A lonely teenage horror-movie fan discovers a mysterious computer game that uses hypnosis to custom-tailor the game into the most terrifying experience imaginable. When he emerges from the hypnotic trance he is horrified to find evidence that the brutal murder depicted in the game actually happened — and he’s the killer.

Michael Hutchence was flying high as the lead singer of the legendary rock band INXS until his untimely death in 1997. Richard Lowenstein’s documentary examines Hutchence’s deeply felt life through his many loves and demons.