While crossing the desert, a frontier scout, Jess Remsberg (Garner), rescues Ellen Grange (Andersson) from a pursuing band of Apaches, and returns her to her husband, Willard Grange (Weaver). He is contracted to act as a scout for an Army cavalry unit. Willard, Ellen, and her infant son are along for the ride, as is horse trader Toller (Poitier), a veteran of the 10th Cavalry (the “Buffalo Soldiers”). The party is trapped in a canyon by Chata, an Apache chief and grandfather of Ellen’s baby. Willard is captured and tortured. Jess sneaks away and brings reinforcements just in time to save the day. Jess learns that the man he has been hunting is none other than Willard Grange.
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Retired, wealthy sea Captain Jame McKay arrives in the vast expanse of the West to marry fiancée Pat Terrill. McKay is a man whose values and approach to life are a mystery to the ranchers and ranch foreman Steve Leech takes an immediate dislike to him. Pat is spoiled, selfish and controlled by her wealthy father, Major Henry Terrill. The Major is involved in a ruthless civil war, over watering rights for cattle, with a rough hewn clan led by Rufus Hannassey. The land in question is owned by Julie Maragon and both Terrill and Hannassey want it.
In a futuristic resort, wealthy patrons can visit recreations of different time periods and experience their wildest fantasies with life-like robots. But when Richard Benjamin opts for the wild west, he gets more than he bargained for when a gunslinger robot goes berserk.
The drug cartels are putting a financial strangle hold on a small Texas town, forcing a Vietnam vet to lose his job at a local garage. He soon learns about one hundred thousand dollars buried by the cartel in a false grave.
American Matt Quigley answers Australian land baron Elliott Marston’s ad for a sharpshooter to kill the dingoes on his property. But when Quigley finds out that Marston’s real target is the aborigines, Quigley hits the road. Now, even American expatriate Crazy Cora can’t keep Quigley safe in his cat-and-mouse game with the homicidal Marston.
Back in Vietnam, Major Whittmar (Paul Gleason) sold out his comrades to save his own skin. Now, he’s a rich, ruthless land baron who’s getting richer by squeezing out or killing off his neighbors. But when he and his cronies murder a rancher who threatens to expose them, the man’s son, Will (Ken Olandt), swears vengeance.
The year is 1879. Gunfighters from the far reaches of the globe descend on Religion, AZ to compete in a legendary poker tournament. Drawn by the gold prize, the players come to realize that in this game, their very souls are at stake.
They’ve ridden dusty miles without end and fought fierce battles. Yet when these brave African-American cavalrymen enter a scraggly frontier town, they must walk through it instead of ride. The town dishonors them but the soldiers’ Native-American foes do not. Apache leader Victoria and other warriors give the horsemen a name of honor and strength: “Buffalo Soldiers”. The troopers’ daring hunt for Victorio frames this stirring tribute to the former slaves and other African-Americans of the 9th and 10th U.S. Calvary Regiments. Danny Glover, Mykelti Williamson, Glynn Turman, Carl Lumbly and Michael Warren star in an adventure bringing to light that largely unknown story and the unique moral dilemma the men faced. Atten-hut! “Buffalo Soldiers are riding” through town.
The incredible true story of America’s bloodiest family feud told through a combination of documentary interviews and traditional Western scenes tracking the fallout between the Grahams and Tewksburys which led to a ten year battle and cost up to fifty lives.
Running from the law after a bank robbery in Mexico, Dad Longworth finds an opportunity to take the stolen gold and leave his partner Rio to be captured. Years later, Rio escapes from the prison where he has been since, and hunts down Dad for revenge. Dad is now a respectable sheriff in California, and has been living in fear of Rio’s return.
Nineteenth century Wyoming: the wild West. Mild-mannered Tom Healy has a two-wagon theater troupe hounded by creditors because Angela, his leading lady and the object of his affection, constantly buys clothes. In Cheyenne, they meet with applause, so they hope to stay awhile: the theater owner likes Angela, and she keeps him on a string. She’s also the object of the attentions of Mabry, a gunslinger who’s owed money by the richest man in Bonanza. Complications arise and the troupe heads for Bonanza, through hostile Indian territory. Is the troupe doomed to a peripatetic life, is Mabry in danger, and does Tom stand a chance with Angela, a hellion in pink tights?
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