Filmmaker Olly Lambert spends two months on Ukraine’s southern frontline with volunteer special forces as they begin the push to capture Kherson. The film follows “Hummer”, an experienced military commander who now finds himself a chaperone to completely inexperienced forces on the frontline.

Sixteen-year-old Austyn Tester, a rising star in the world of digital celebrities, builds his following on wide-eyed optimism and teen girl adoration as he tries to escape a dead-end life in rural Tennessee.

In May of 2011, Neil Young drove a 1956 Crown Victoria from his idyllic hometown of Omemee, Ontario to downtown Toronto’s iconic Massey Hall where he intimately performed the last two nights of his solo world tour. Along the drive, Young recounted insightful and introspective stories from his youth to filmmaker Jonathan Demme. Through the tunes and the tales, Demme portrays a personal, retrospective look into the heart and soul of the artist.

Six Catholics share their thoughts and problems with Jesus in different churches. The camera accompanies them.

In 2013, Idris Elba produced and released “Idris Elba presents mi Mandela”, an album inspired by his time researching and portraying Nelson Mandela in “Mandela: Long Walk to Freedom”. The musical culture of South Africa was a great influence to him, both present day and historically, and connecting to the music Mr. Mandela would have listened to throughout his life was a great aid in Elba’s preparation for the role. Arrangements were made to record the album in South Africa and Mali at the end of 2013, however, sadly just before Elba left, his father, Winston, passed away. While working simultaneously on the album and promoting his film, Elba had BAFTA award-winning director Daniel Vernon document his movements. “Mandela, My Dad and Me” not only documents one man’s struggle in producing his first album, but also his emotional quest to pay a fitting tribute to two inspirational men.

Fresh off the heels of appearing in movies like Superhero Movie and The 40 Year-Old Virgin, fast-talking comedian Kevin Hart stars in this live stand-up performance where he makes fun of everything and everybody – especially himself.

Under the sun, the heavenly beauty of grasslands will soon be covered by the raging dust of mines. Facing the ashes and noises caused by heavy mining , the herdsmen have no choice but to leave as the meadow areas dwindle. In the moonlight, iron mines are brightly lit throughout the night. Workers who operate the drilling machines must stay awake. The fight is tortuous, against the machine and against themselves. Meanwhile, coal miners are busy filling trucks with coals. Wearing a coal-dust mask, they become ghostlike creatures. An endless line of trucks will transport all the coals and iron ores to the iron works. There traps another crowd of souls, being baked in hell. In the hospital, time hangs heavy on miners’ hands. After decades of breathing coal dust, death is just around the corner. They are living the reality of purgatory, but there will be no paradise.

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Imagine eating nothing but traditional, authentic Japanese cooking for 12 weeks. What sort of health benefits would this kind of diet have on one’s body? In a dieting experiment similar to Supersize Me, but towards improving health, award-winning actor and comedian Craig Anderson does just this. Through a series of entertaining and educational scenarios filled with culinary secrets and cultural chaos, Craig investigates how the traditional Japanese diet, along with their active lifestyles, results in the Japanese population being the healthiest and longest living people on the planet. Miso Hungry is a light-hearted documentary about one man’s journey to find a simple, painless path towards a healthier life.

A documentary spanning over 30 years of the California Bay Area’s punk music history with a central focus on the emergence of Berkeley’s inspiring 924 Gilman Street music collective.

Donne’s film points out the major features of the tax avoidance landscape: tax havens, brass plates, capital flight, crown dependencies, and the like.

Part documentary, part concert film, part fever dream, this film captures the troubled spirit of America in 1975 and the joyous music that Dylan performed during the fall of that year.