On the day that underground rapper Hak-soo fails his 7th audition, he receives a call from his hometown that his father is in the hospital. But he finds out that it was his father’s plot to bring him to Byeon-san. To top it all, he is suspected as a phishing scam criminal and locked up in this small, boring suburb.

In a universe where cool kids are nerds, the orchestra is world class and being Asian American is the norm, seniors at Lowell High School compete for the top prize: admission to the college of their dreams.

The Decline of Western Civilization III is a 1998 documentary film directed by Penelope Spheeris that chronicles the gutter punk lifestyle of homeless teenagers. It is the third film of a trilogy by Spheeris depicting life in Los Angeles at various points in time. The first film dealt with the punk rock scene during 1980-1981. The second film covers the Los Angeles heavy metal movement of 1986-1988. The film involves hardcore street punks called “gutter punks” who take the anti-establishment message with extreme seriousness, and tune out society completely. Spheeris talks to homeless teenagers living on the street or squatting in abandoned buildings in Los Angeles, as well as an unstable mother, Los Angeles Police Department officer Gary Fredo, and a paralyzed youth living on a disability.

Reality Entertainment and The Sylvanic Cooperation presents “Discovering Bigfoot.” Discovering Bigfoot is the first feature film documentary with real live interaction between a Bigfoot creature, wilderness experts, PhD’s and other world renowned experts and researchers of the Bigfoot enigma.

In the heart of America’s opioid epidemic, four men attempt to reinvent their lives and reenter society sober after years of drug abuse. Recovery Boys, from Academy Award nominated director Elaine McMillion Sheldon (Heroin(e)), is an intimate look at the strength, brotherhood, and courage that it takes to overcome addiction and lays bare the internal conflict of recovery and the external hurdles of an unforgiving society.

“Adam Goldstein was friend to many in the ’90s L.A. party scene, where he threw himself into a newfound life as DJ AM. Overcoming several obstacles, including a troubled familial relationship and various addictions, DJ AM quickly rose to the top of the music industry. A pioneer of the mashup movement, he became one of the most recognizable DJs in the world. However, he remained haunted by the demons of his past. After cheating death in a plane crash, a subsequent overdose lead to his untimely death.

SYMPATHY FOR THE DEVIL is an exhilarating, provocative motion picture. The Rolling Stones rehearse their latest song, “Sympathy For the Devil,” in a London studio. Beginning as a ballad, the track gradually acquires a pulsating groove, which gets Jagger into a rousing vocal display of soulful emotion that Godard is lucky enough to capture on film. Showing that rock and roll is more than just partying and goofing off, SYMPATHY FOR THE DEVIL is a brilliant portrait of the creative process at its most collaborative and arousing.

Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the “Institute of Snap!thology,” where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.

Based on his book, Michael Waltrip recounts the 2001 Daytona 500 and the lighting-fast transition from elation to mourning – as he took the checkered flag to win while Dale Earnhardt, his friend and team owner, crashed in Turn 4 behind him. Earnhardt’s death and the events of the race had a profound effect on Waltrip, shown in this documentary.

Kid Galahad is a 1962 musical film starring Elvis Presley as a boxer. The movie was filmed on location in Idyllwild, California and is noted for having a strong supporting cast. Most critics rate it as one of Presley’s best performances. The film is a remake of the 1937 original version starring Edward G. Robinson, Bette Davis, and Humphrey Bogart.

That Guy Dick Miller is the incredible true story of the wannabe-writer, turned accidental character-actor.

A young woman struggles to move on with her life after the death of her husband, an acclaimed folk singer, when a brash New York writer forces her to confront her loss and the ambiguous circumstances of his death.