Don’t Go in the Woods is sound advice, especially when there’s a killer on the loose. First-time director Vincent D’Onofrio (Full Metal Jacket, “Law & Order: Criminal Intent”) explores love, greed and ruthlessness in this twisted musical/horror hybrid, telling the story of a young band who heads to the woods to get away from their everyday lives in order to focus on writing new songs. Hoping to walk away from the trip with new tunes that will score them their big break, they instead find themselves in the middle of a nightmare beyond comprehension.
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Jack and Dora, abandoned by their parents as babies, are desperate to find each other after years of adoption. Jack’s young life has been spent with a sadistic family. Dora, whose life has been somewhat better, has developed extra-sensory powers which tell her that Jack’s in danger and drives her to search for him.
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When a party bus on its way to Burning Man filled with a bunch of sexy young adults breaks down in the desert and in the middle of a group of Satanic worshippers, all hell literally breaks loose. A massacre leaves seven survivors trapped on the bus, fighting for their lives while wondering if someone or someones are not what they seem.
A government agent is determined to come to his son’s rescue, when a sinister official kidnaps him to harness his extremely powerful psychic abilities.
After the death of their eldest sister the girls of Bannister family begin to feel that something is very wrong, but how is it connected to them and how will they survive the nightmare that is the Bannister DollHouse.
Four friends take a cottage vacation in the dead of winter, seeking refuge from their busy urban lives, if only for one weekend. However, the few residents who remain in the secluded cottage town of Rideau Ferry don’t seem to take kindly to strangers… From the moment they reach their destination, the visitors, a group of twenty-something artist types, are confronted by the ominous gaze of neighbouring cottagers, all of whom have no choice but to tough out the cold winter in this small, rural town. Over the course of their stay, the friends begin to uncover dark details about the inhabitants of the houses around them. After one of the friends is found mutilated on the front porch of a nearby cottage, the friends quickly discover that nothing is what it seems.
A family takes refuge in a fallout shelter to avoid a dangerous outbreak.
In 1630s New England, William and Katherine lead a devout Christian life with five children, homesteading on the edge of an impassable wilderness, exiled from their settlement when William defies the local church. When their newborn son vanishes and crops mysteriously fail, the family turns on one another.
A psychosomatically deaf, dumb and blind boy becomes a master pinball player and the object of a religious cult.
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