The definitive zombie culture documentary, brought to the screen by the makers of THE PEOPLE vs. GEORGE LUCAS.
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Jackass Number Two is a compilation of various stunts, pranks and skits, and essentially has no plot. Chris Pontius, Johnny Knoxville, Steve-O, Bam Margera, and the whole crew return to the screen to raise the stakes higher than ever before.
Comedian Kevin Hart performs in front of a crowd of 50,000 people at Philadelphia’s outdoor venue, Lincoln Financial Field.
An action-adventure documentary chronicling the most notorious and dangerous race in the world–the Tecate SCORE Baja 1000. Rivaling the Indy 500 and 25 Hours of Daytona, the race across Baja’s peninsula is unpredictable, grueling and raw–just like the uncharted American West of yesteryear.
This documentary chronicles Johnny Cash’s 1970 visit to the White House, where Cash’s emerging liberal ideals clashed with Richard Nixon’s policies.
Thorsten Schütte’s film is a sharply edited and energetic celebration of Zappa through his public persona, allowing us to witness his shifting relationship with audiences. Utilizing potent TV interviews and many forgotten performances from his 30-year career, we are immersed into the musician’s world while experiencing two distinct facets of his complex character. At once Zappa was both a charismatic composer who reveled in the joy of performing and, in the next moment, a fiercely intelligent and brutally honest interviewee whose convictions only got stronger as his career ascended.
A semi-fictionalized documentary about a day in the life of Australian musician Nick Cave’s persona.
The sensational follow-up to “London in the Raw,” “Primitive London” sets out to reflect society’s decay through a sideshow spectacle of 1960s London depravity—and manages to outdo its predecessor. Here, we confront mods, rockers and beatniks at the Ace Café, cut some rug with obscure beat band The Zephyrs, smirk at flabby men in the sauna and goggle at sordid wife-swapping parties as we discover a pre-permissive Britain still trying to move on from the post-war depression of the 1950s.
It’s 2017 in Bisbee, Arizona, an old copper-mining town just miles from the Mexican border. The town’s close-knit community prepares to commemorate the 100th anniversary of Bisbee’s darkest hour: the infamous Bisbee Deportation of 1917, during which 1,200 striking miners were violently taken from their homes, banished to the middle of the desert, and left to die. Townspeople confront this violent, misunderstood past by staging dramatic recreations of the escalating strike. These dramatized scenes are based on subjective versions of the story and “directed,” in a sense, by residents with conflicting views of the event. Deeply personal segments torn from family history build toward a massive restaging of the deportation itself on the exact day of its 100th anniversary.
Joaquim Pinto has been living with HIV and VHC for almost twenty years. “What now? Remind Me” is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between present and past memories, the film is also a tribute to friends departed and those who remain.
At the annual Vent Haven Convention in Ft. Mitchell, Kentucky, ventriloquism capital of the world, director Mark Goffman discovers five extraordinary characters straight out of a Christopher Guest mockumentary. But in this delightful, it’s-all-true documentary, the characters are real, and so are the emotional attachments that they have with their “dummies.”
Caniba is a fresco about flesh and desire. It reflects on the discomfiting significance of cannibalism in human existence through the prism of one Japanese man, Issei Sagawa, and his mysterious relationship with his brother, Jun Sagawa.
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