In one of his rare performances without Bud Abbott, Lou Costello plays a delivery boy who invents a machine which turns his girlfriend into a giantess.

While Jane Holman (Mastrantonio) is driving with her two sons, she accidentally runs into a drifter, Jack McCloud (Swayze), who breaks his leg. Being responsible, Jane invites Jack, and his dog, to stay at her home until his leg has healed. Jack struggles to adapt their lifestyle, and finds himself loved by the family. He starts teaching baseball to Tom, who misses his father, who was lost in the Korean war. Jack and Tom develop a strong bond of friendship. Meanwhile, Gunny believes that there is more to Jack and Betty Jane than meets the eye… We learn that Jack, is Jack McCloud, a Star White Socks baseball player in 1941, who dropped out of the league, after his first season, and; “was never heard from again” … A wonderful story. We witness magic between a boy’s imagination, and Jack’s dog, and are never sure if we are witnessing imagination or magic by the dog. A story of friendship, family, and learning that life isn’t always as cut and dried as we often believe.

Eitan works security in the Dead Sea Works factory. On his way to a night shift he is sexually assaulted by his bus driver, thus begins a dream-like journey on the silent beaches of the Dead Sea.

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Taryln is a powerful and career-driven woman with a high tolerance for her husband’s foolishness. When she discovers that her man has been unfaithful, she hatches a devious plot to teach her “better half” a lesson he will never forget.

This twisted Iranian narrative follows a mysterious couple from Tehran as they distribute large bags of money in an impoverished mountain border town. Beginning as a black comedy, the film’s mood transforms as the games played by Kaveh (director Mani Haghighi) and Leyla (Taraneh Alidoosti) become increasingly perverse, as they find inventive ways of humiliating the recipients of the cash. The immorality of the central characters is at times sickening, and their chain of lies is often as puzzling to us as they are to the townsfolk depicted onscreen. What is the relationship between the pair and why are they giving away money to the needy? Modest Reception has no easy answers nor pat resolutions – instead Haghighi takes the viewer on an intriguing ride into the dark recesses of the human spirit.

Marco returns to Paris after his brother-in-law’s suicide, where he targets the man his sister believes caused the tragedy – though he is ill-prepared for her secrets as they quickly muddy the waters.

When a group of misfit teenagers encounter an ancient relic during a school trip, they find themselves caught up in a magical world, with elemental powers beyond their belief.

Simon Evans debut DVD is a master class in aloof, patrician observational stand up. To the delight of a packed audience, the star of Live At The Apollo and Stand Up For The Week brings a little polish to the Theatre Royal Brighton. Evans looks back at his life and times, from his early days in London to his family life by the seaside. Along the way, his reflections are as ever as dry and delicious as a good Sancerre, or perhaps a really good radish.

Riveting look at the politics, big business and the medical industry that has made America the most prescription-addicted society in the world. America is less than 5% of the World’s population but consumes 80% of the World’s prescription narcotics. We have gone from being the land of the free to the land of the addicted.

Tom Ripley is a calculating young man who believes it’s better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.

The tiny girl meets a fairy prince who saves her from the creatures of the woods.