P.C. George Dixon (Warner) a long-serving traditional “copper” who is due to retire shortly, takes a new recruit, Andy Mitchell (Hanley), under his aegis, introducing him to the easy-going night beat. Dixon is a classic Ealing ‘ordinary’ hero, but also anachronistic, unprepared and unable to answer the violence of Tom Riley (Bogarde). Called to the scene of a robbery at a local cinema, Dixon finds himself face-to-face with Riley, a desperate youth armed with a revolver. Dixon initially tries to talk Riley into surrendering the weapon, but Riley panics and fires. Dixon walks to his own death almost uncomprehending. Dixon is taken to hospital, but dies some hours later. The ending is another Ealing quirk, with ordinary decent society, including ‘professional’ criminals used to violence, banding together to track down and catch the murderer, who is trapped in the crowd at White City greyhound track in west London. To Andy Mitchell falls the honour of arresting Riley.

Jack Spade returns from the army in his old ghetto neighbourhood when his brother, June Bug, dies. Jack declares war on Mr. Big, powerful local crimelord. His army is led by John Slade, his childhood idol who used to fight bad guys in the 70s.

A trio of young sisters are attacked by local thugs. Then a force inhabiting the orchard exacts its revenge.

Based on a true story, a community is rocked by the double-homicide of a prominent couple and the local police struggle to find the killer. As a darkness settles over the town, Albert, the new resident pastor must help his church and family overcome the aftershocks by providing stability, healing and hope while his wife Aimee must come to grips with her own fear through her faith.

Convicted felon Max Truemont (played by Josh Holloway) is hired to execute a kidnapping of the son of one of the richest women in the state. Along with his fiancée Roxanne (played by Sarah Wayne Callies), Max joins two other strangers who were also hired by the same absent mastermind behind the kidnapping.

A thriller crime comedy directed by Wolfgang Murnberger.

When it was first released in Argentina, Pablo Trapero’s film had the highest opening box-office of all time. The key to that success is simply that The Clan is based on one of the most shocking crimes in the country’s history, the Puccio Clan case. In 1985, the news broke that the Puccios, a well-established Catholic family with five children from San Isidro, an upper-class suburb of Buenos Aires, kidnapped and held people hostage for ransom in their own home. The film is a disturbing, impressive, and beautifully controlled interpretation of those events, with Guillermo Francella’s magnificent depiction of the father, a performance for the ages.

A former war vet, a misanthrope, and an illegal immigrant seek salvation in a pair of inexperienced drug dealers staked out at a run-down desert motel.

After the death of their father, two half-brothers find themselves on opposite sides of an escalating conflict with tragic consequences.

Locked up for a minor crime, 19 year old JR quickly learns the harsh realities of prison life. Protection, if you can get it, is paramount. JR soon finds himself under the watchful eye of Australia’s most notorious criminal, Brendan Lynch, but protection comes at a price.

Inspired by the dramatic true story of the Cocaine Cowgirls, Sugar follows two young Canadian women who get caught up in a major drug smuggling operation aboard a luxury cruise ship sailing around the world. With nowhere to run—the walls close in on them.

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