Comedy icon Dave Chappelle makes his triumphant return to the screen with a pair of blistering, fresh stand-up specials. Filmed at the Moody Theater in Austin, Texas, in April 2015.
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The setting is the east shore of the Caspian Sea (today’s Turkmenistan) where the Red Army soldier Fyodor Sukhov has been fighting the Civil War in Russian Asia for a number of years. After being hospitalised and then demobbed, he sets off home to join his wife, only to be caught up in a desert fight between a Red Army cavalry unit and Basmachi guerrillas. The cavalry unit commander, Rahimov, “convinces” Sukhov to help, temporarily, with the protection of abandoned women of the Basmachi guerrilla leader Abdullah’s harem. Leaving a young Red Army soldier, Petrukha, to assist Sukhov with the task, Rahimov and his cavalry unit set out to pursue fleeing Abdullah.Sukhov and women from Abdullah’s harem return to a nearby shore town. Soon, looking for a seaway across the border, Abdullah and his gang come to the same town…
Holly is tired of moving every time her mom Jean breaks up with yet another second-rate guy. To distract her mother from her latest bad choice, Holly conceives the perfect plan for the perfect man, an imaginary secret admirer who will romance Jean and boost her self-esteem.
For fixed-gear cyclists, Los Angeles is a city that has it all. From the neon glow of Hollywood to the sun-drenched boardwalk of Venice Beach, fixed-gear has evolved into a vibrant street culture that is uniquely L.A. From director David Rowe (Fast Friday) comes a new documentary feature that explores a side of L.A. few outsiders have seen. From races through rush-hour traffic to midnight loft parties, To Live & Ride in L.A. is a fast paced-trip through the busy streets and back-alleys of one of the world’s largest cities. To Live & Ride in L.A. features talented local riders tearing up the streets with first-time visitor Keo Curry (Fast Friday, Macaframa) – one of the living legends of the sport. Bike to hidden spots off the map, race a midnight alley-cat, keep pace with the riders from Wolfpack, and hang with the local crews, graffiti artists and other L.A. personalities burning up the fixed-gear scene.
A group of teenage girlfriends deal with life after high school.
Four college students travel to Europe to escape their routine faith and gain a radically new perspective on following Jesus.
In The Farmer’s Llamas the wily sheep bluffs his dim-witted farmer master into bidding for three llamas at a county fair. Once they show up at the farm, however, they cause such chaotic destructive mayhem that Shaun has to carefully remove them – high speed chases, careful rooftop scrambles and dangerous falls ensue.
Samantha and John Grey find themselves at a crossroads in their marriage. Samantha is considered the modern day ‘Dear Abby’ of talk radio and as a Doctor of Psychology; Samantha is meticulous to detail and advocates communication as the key to all successful marriages. Feeling her biological clock ticking, she’s ready to start a family – if only she could convince her husband John.
A washed up golf pro working at a driving range tries to qualify for the US Open in order to win the heart of his succesful rival’s girlfriend.
Two brothers compete in their own private 25-event Olympics.
On the heels of booking a life-changing motion picture, a film director drives away his girlfriend and aggressively re-enters the LA dating scene.
JACO tells the story of Jaco Pastorius, a self-taught, larger-than-life musician who single-handedly changed the course of modern music by redefining the sound and the role of the electric bass guitar. Never-before-seen 8mm film, photographs, and audio recordings unveil the true story behind the legend of Jaco’s life, his music, and his heartbreaking end. Featuring Joni Mitchell, Sting, Flea, Herbie Hancock, Geddy Lee, Bootsy Collins, Santana, Wayne Shorter and more, JACO will leave you longing for a time when “musicians owned the music industry.” Produced by Metallica’s Robert Trujillo with Passion Pictures (Searching for Sugar Man) and directed by Mr. Paul Marchand & Stephen Kijak.
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