A freelance illustrator in New York suffers a quarter-life crisis and leaves his home for the west coast.
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Fed up with being targeted by the neighborhood bully, 10-year-old Lucas Nickle vents his frustrations on the anthill in his front yard … until the insects shrink him to the size of a bug with a magic elixir. Convicted of “crimes against the colony,” Lucas can only regain his freedom by living with the ants and learning their ways.
A family saga spanning three decades based on the mythology of the most famous race horse Denmark has ever seen. A horse which did the impossible and put Denmark on the world map through its many great victories. The film is first and foremost about the family who owned Tarok and believed in its greatness – and who, against all odds, gave Denmark hope and courage to dream.
A decade and a half after their seminal indie film launched meteoric filmmaking careers, Splick and Jason find themselves staring at their own individual, pre-midlife crises. Having not spoken to one another since a late-nineties falling out, they’re each grappling with the challenges of stalled careers and relationships, as the hands of time creep ominously past forty-o’clock. Splick’s most recent TV show, centered around his character’s perverse relationship with dessert foods, is unceremoniously cancelled by the network, forcing a return to his childhood bedroom at his mother’s apartment in New York. Frustrated by a barrage of comments about the “good,” “funny,” movies he used to make with his old partner, Jason, Splick determines to seek him out and attempt a reunion.
A girl who went missing after an accident returns 10 years later and reunites with her grandmother.
A provocative drama about a young woman who experiences the most significant change in her life.
A New York couple’s relationship is tested after the loss of their child. This film is the wide-released combination of the original two :him and :her volumes that premiered at the Cannes Film Festival.
JIM TAHANA doesn’t leave much of an impression when he passes you by. But look closer and you’ll sense his hunger – the deep hunger of an insatiable American soul – always scanning to devour something – anything that might fill the searing, unexplained void within him. Jim obsesses over the hobby that has been part of his DNA since he was a young boy: grief tourism – the act of traveling with the intent to visit places of tragedy or disaster. Every year his week-long vacations from work are spent going to grief tourist locations in the lives of different serial killers he is fascinated with. This years obsession is Carl Marznap, a mass murder from New Orleans, Louisiana. But this trip is no ordinary vacation as Jim’s rancid sexual impulses and weakening grip on reality deteriorate into a violent despair that will ultimately unlock an unspeakable secret festering within him, bringing The Grief Tourist to it’s brutal and shocking finale…
Manager Pascaline and chef Angelo have been, for several years, striving toward earning the coveted “chef’s hat” in the Gault Millau restaurant guide. Tonight is Valentine’s Day: one of the busiest nights of the year. Angelo provides an appropriate menu and Pascaline lovingly sets the tables. As always, Pascaline has everything under control. Her customers expect a lot tonight. For every couple that has won a table they expect to get love on their plate. Hopefully nothing goes wrong.
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