Olivia Branstetter (Carmen) and Lauren Jain (Jacobee) debut in their first feature film about a group of recently graduated teens who discover what’s important in life through a drug-fueled Fourth of July night.
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Tired of being invisible in a bland marriage, Emma moves in with her son Elliot in his loft in downtown LA. Elliot is a chef at a lackluster Chinese restaurant facing foreclosure. Also, he’s gay – and Emma’s distaste and denial over this has made strangers of mother and son. But the two need each other now more than ever, and as Emma indulges herself with the encouragement of a saucy new friend, and Elliot confronts his fears of intimacy, the pair find ways to communicate, with food where words fail.
Psychological horror about a lonely young woman traumatized by a difficult childhood, and her increasingly desperate attempts to connect with the people around her.
Max imagines running away from his mom and sailing to a far-off land where large talking beasts — Ira, Carol, Douglas, the Bull, Judith and Alexander — crown him as their king, play rumpus, build forts and discover secret hideaways.
Michael is a 24-year-old who has cerebral palsy and long-term resident of the Carrigmore Residential Home for the Disabled, run by the formidable Eileen. His life is transformed when the maverick Rory O’Shea moves in.
The story takes place in the back streets of Galata . MELI, a transvestite who works as a singer in a classy nightclub, finds an abandoned baby on his way back from work one early morning and takes him home.
A man on his death bed relives memories of a past relationship and struggles with his own life choices. As he moves through the consequences of his decisions, he deals with regret and the possibilities of what could’ve been, all while coming to terms with his fate.
IT guru Libby gets more than she bargained for when, after losing her job, she reluctantly agrees to help a cop with fostering two abandoned kids.
An air-traffic controller quits after a plane crash but, years later, goes to help an airport that is in the path of a terrible storm.
This twisted Iranian narrative follows a mysterious couple from Tehran as they distribute large bags of money in an impoverished mountain border town. Beginning as a black comedy, the film’s mood transforms as the games played by Kaveh (director Mani Haghighi) and Leyla (Taraneh Alidoosti) become increasingly perverse, as they find inventive ways of humiliating the recipients of the cash. The immorality of the central characters is at times sickening, and their chain of lies is often as puzzling to us as they are to the townsfolk depicted onscreen. What is the relationship between the pair and why are they giving away money to the needy? Modest Reception has no easy answers nor pat resolutions – instead Haghighi takes the viewer on an intriguing ride into the dark recesses of the human spirit.
“Citizen Ruth” is the story of Ruth Stoops, a woman who nobody even noticed — until she got pregnant. Now, everyone wants a piece of her. The film is a comedy about one woman caught in the ultimate tug-of-war: a clash of wild, noisy, ridiculous people that rapidly dissolves into a media circus.
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