A woman investigates the disappearance of her friend and her own murky past when she travels to a mysterious convent on a barren island.
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6 short stories about space, inter-dimensional threat, and murder told by storytellers all over the world.
Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns
In the 1980s, and after the death of his mother, Sam is struggling with family, friends, school, and the most evil being he can imagine – The Bloody Man, who is unknowingly summoned and will stop at nothing to destroy everything Sam holds dear.
The bonds of brotherhood, the laws of loyalty, and the futility of violence in the shadows of the US Mexico border gang wars.
On the hottest day of the year, an unknown virus spreads throughout inner-city Philadelphia. The infected victims, crazed by dehydration, begin attacking other residents of the neighborhood in gruesome ways. When the military is brought in to contain the situation, but realize they can’t come up with a vaccine quickly enough, they fence off the area and let everyone die. A group of locals, stuck in the basement of their building, behind the fences, and separated from their family members, band together to try to survive.
Thirty years after the events of the first film, a new blade runner, LAPD Officer K, unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. K’s discovery leads him on a quest to find Rick Deckard, a former LAPD blade runner who has been missing for 30 years.
The team work to reunite a wedding dress with its rightful recipient, but find that they may have far more to do. Meanwhile, Rita and Norman’s wedding plans present new challenges.
A home schooled teenager begins to suspect her mother is keeping a dark secret from her.
Three young adults meet a charismatic stranger at closing time of the bar where they work. They accept an invitation to join a late night gathering he is attending with some friends in a secluded desert house. At first charmed by their interesting hosts, a violent encounter changes the tone of their evening, and the group begins to realize that all may not be as it seems with their new acquaintances. Faced now with a decision to either wait out the morning or plot an escape, they contend not only with the ambiguous true nature of their hosts, but also strange, unknown humanoid creatures roaming the desert who may pose a threat to all involved.
Tanya is upset about her life when a coworker tells her a story about a former employee, Kelly Cage. Kelly Cage was a woman in free fall a glumly average thirty-something desperately seeking an escape from her horrible life. A former alcoholic loses her daughter, her high profile position and her dignity. She is doing all she can to straighten out and her closest friend is her laptop. Cage discovers blogging about her life experiences is a therapeutic way to release her anxiety, fear and anger. She realizes thousands of people are reading her blog including Detective Jackson. What she reads in Kelly’s blogs will change their lives forever.
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