As good as any Dickens novel, this is the triumphant and tragic story of the greatest architectural dynasty of the 19th century. Dan Cruickshank charts the rise of Sir George Gilbert Scott to the very heights of success, the fall of his son George Junior and the rise again of his grandson Giles. It is a story of architects bent on a mission to rebuild Britain. From the Romantic heights of the Midland Hotel at St Pancras station to the modern image of Bankside power station (now Tate Modern), this is the story of a family that shaped the Victorian age and left a giant legacy.
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How does a traumatic event shape a family? How do you sift through the memories to find hidden clues and unlock a collective grief? Kingdom of Us takes a look at a mother and her seven children, whose father’s suicide left them in financial ruin. Through home movies and raw moments, the Shanks family travels the rocky road towards hope.
A documentary short detailing the life of Italians living on the Po River in the 1940s.
Explore the rise and fall of one of the biggest corporate flameouts and venture capitalist bubbles in recent years – the story of WeWork, and its hippie-messianic leader Adam Neumann.
“Microbirth” is a 60 minute documentary looking at the latest scientific research about the microscopic events happening during childbirth.
“Microbirth” reveals the latest scientific thinking on how best to “seed” a baby’s microbiome in order to build the strongest possible immune system. This cutting-edge science has the potential to not only improve the health of our children across a lifetime, but also across generations still to come.
Exhibition on Screen’s latest release celebrates the life and masterpieces of Hieronymus bosch brought together from around the world to his hometown in the Netherlands as a one-off exhibition. With exclusive access to the gallery and the show this stunning film explores this mysterious, curious, medieval painter who continues to inspire today’s creative geniuses. Over 420,000 people flocked to the exhibition to marvel at Bosch’s bizarre creations but now, audiences can enjoy a front row seat at Bosch’s extraordinary homecoming from the comfort of their own home anywhere in the world. Expert insights from curators and leading cultural critics explore the inspiration behind Bosch’s strang and unsettling works. Close-up views of the curiosities allow viewers to appreciate the detail of his paintings like never before. Bosch’s legendary altarpieces, which have long been divided among museums, were brought back together for the exhibition and feature in the film.
Under the sun, the heavenly beauty of grasslands will soon be covered by the raging dust of mines. Facing the ashes and noises caused by heavy mining , the herdsmen have no choice but to leave as the meadow areas dwindle. In the moonlight, iron mines are brightly lit throughout the night. Workers who operate the drilling machines must stay awake. The fight is tortuous, against the machine and against themselves. Meanwhile, coal miners are busy filling trucks with coals. Wearing a coal-dust mask, they become ghostlike creatures. An endless line of trucks will transport all the coals and iron ores to the iron works. There traps another crowd of souls, being baked in hell. In the hospital, time hangs heavy on miners’ hands. After decades of breathing coal dust, death is just around the corner. They are living the reality of purgatory, but there will be no paradise.
Gemma’s childhood, a teenage troublemaker, turns into motherhood in Motherwell, a rusty Scottish steel town, a place where people either get knocked up or locked up, where innocent games can easily turn into serious crime.
Twenty five years after Miguel died from AIDS, his niece, filmmaker Cecilia Aldarondo, embarks on an excavation into a quagmire of unresolved family drama. Like many gay men in the 1980s, Miguel moved from Puerto Rico to New York City; he found a career in theater and a rewarding relationship. Yet, on his deathbed he grappled to reconcile his homosexuality with his Catholic upbringing. Now, decades after his death, Cecilia locates Miguel’s lover Robert, who has been shunned and demonized by the family, in order to understand the whole story.
Interim school superintendent Eve Morgan finds herself in a tough spot when she is assigned to shut down a school’s failing music program and must come to terms with here musical past.
Ai Weiwei is known for many things – great architecture, subversive in-your-face art, and political activism. He has also called for greater transparency on the part of the Chinese state. Director Alison Klayman chronicles the complexities of Ai’s life for three years, beginning with his rise to public prominence via blog and Twitter after he questioned the deaths of more than 5,000 students in the 2008 Sichuan earthquake. The record continues through his widely publicized arrest in Beijing in April of 2011. As Ai prepares various works of art for major international exhibitions, his activism heats up, and his run-ins with China’s authorities become more and more frequent.
Jon Reiss and his crew travel to Asia, Australia, the Middle East and beyond, exploring the local graffiti scenes and artists. Follow-up to the groundbreaking street art documentary “Bomb It”.
In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte is daughter and son, grandmother and grandfather; father of three, though orphaned of one. Laerte is the one who walks their daughter down the aisle as father and woman; who, even without a uterus, gestates. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.
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