An ex-Navy seal (Mehcad Brooks), his girlfriend (Serinda Swan) and their friends head out on a road trip to New Orleans. The group decides to stop at a roadside convenience store owned by Chopper (Sid Haig), who tells them the tale of Lockjaw, a fabled god-like creature who is half-man, half-alligator.
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Stalking random people throughout the city, Jim records strangers to upload to his website as part of a voyeuristic social experiment. As he performs reconnaissance on his subjects, Jim meets Samantha, who snares him into her dark and mysterious web. It soon becomes clear that Jim and Samantha’s past, present and future are all tied together, connected both by murder and the power of the lens.
Deputy Sheriff Lou Ford is a pillar of the community in his small west Texas town, patient and apparently thoughtful. Some people think he is a little slow and maybe boring, but that is the worst they say about him. But then nobody knows about what Lou calls his “sickness”: He is a brilliant, but disturbed sociopathic sadist.
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Industrial Animals is a very small film in almost every measurable metric. Weighing in at roughly 61 minutes, this low budget, found footage film from the UK features a cast of just three people who also cover many of the behind the scenes credits as well. In fact, the entire story takes place over a three-day span, mostly in one simple setting. But while all of the factors add up to a “small” film, when all is said and done, Industrial Animals ends up packing a fairly strong and somewhat unexpected punch.
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