An aging, down-on-his-luck ex-minor leaguer coaches a team of misfits in an ultra-competitive California little league.

The Beecroft family are ready to spend all of Chief Daddy’s inheritance, but not if the CEO of his company has anything to do with it.

The film is a spinoff of the original story and the two protagonists Wind and Cloud. The residents of Sword-Worshipping Manor, which houses the best sword-smiths in the world, are brutally massacred after they are alleged to be plotting a rebellion against the government. The young master of the manor, Ngou Kuet, is the only survivor. Ngou Kuet vows to finish forging the “Kuet” Sword, a task passed down by generations of his family which has yet to be completed. Ngou Kuet attacks Tin Ha Wui and battles with Wind and Cloud to obtain the blood of the Fire Kirin which can unleash the power of the sword. As the blood of the Fire Kirin runs in Wind’s veins, he becomes Ngou Kuet’s primary target.

Charles McCarter and his wife Helen are about to celebrate their 18th-wedding anniversary when Helen comes home to find her clothes packed up in a U-Haul van parked in the driveway. Charles is divorcing Her. Helen moves in with her grandmother Madea, an old woman who doesn’t take any lip from anyone. Madea helps Helen through these tough times by showing her what is really important in life.

After graduating from the Hogwarts School of Witchcraft, Tom Riddle disappears. He returns ten years later, with new powers and a new name. His journey in search of the secrets of dark magic has profoundly changed him, and it is up to two old acquaintances to stop him before he reaches his goal: immortality.

When dysfunctional adult Al Clancy mistakenly agrees to mind his smart-ass 10-year-old nephew Karl for a week, his job and home are placed in jeopardy. In a bold bid to save Al’s job, they steal his mam’s camper van, become best friends, and embark on a criss cross adventure, putting up posters all over Ireland. When things go wrong and the lads get cranky, one of them realises that the other one needs to grow up.

A high-powered attorney duct tapes her adulterous husband to the toilet … right before their home is invaded by burglars.

In 1500, Duke Cesare Borgia hopes to marry his sister (widowed by poison) to the heir apparent of Ferrara, which impedes his conquest of central Italy. On this delicate mission he sends Andrea Orsini, his sister’s lover and nearly as unscrupulous as himself. En route, Orsini meets Camilla Verano, wife of the count of Citta’ del Monte (Borgia’s next intended conquest); and sentiment threatens to turn him against his deadly master, whom no one betrays twice…

Col. Vincent Kane is a military psychiatrist who takes charge of an army mental hospital situated in a secluded castle. Among Kane’s many eccentric patients is Capt. Billy Cutshaw, a troubled astronaut in the midst of an existential crisis. Although Kane’s own grasp on sanity is questionable, he manages to engage Cutshaw in a series of thoughtful conversations about science and faith that deeply affect the lives of both men.

Jesse Aarons trained all summer to become the fastest runner in school, so he’s very upset when newcomer Leslie Burke outruns him and everyone else. Despite this and other differences, including that she’s rich, he’s poor, and she’s a city girl, he’s a country boy, the two become fast friends. Together, they create Terabithia, a land of monsters, trolls, ogres, and giants and rule as king and queen.

Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.

A young girl tries to help her grandfather, who is suffering from Alzheimer’s, navigate his increasing forgetfulness, and ends up going on a remarkable adventure with him.