Four people are affected by one man’s disappearance: Lucette, his wife, who anxiously awaits his return; Louis, a young father whose relationship with his wife is going through confusing times; Chantal, a hotel receptionist who dreams of sharing her life with someone else; Marcel, an ex-gambler confronted by the realities of aging.
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An epic tale about a supremely intelligent young African-American male who rises from the ferocious and oppressive streets of North Philadelphia to being a shining star in the lucrative world of high finance at Wall Street’s most prestigious firm. However, he soon finds that the white-collar world is filled with crime and death just like the drug-filled hood he left behind. His only chance of survival is to fully integrate a mysterious gift from a slain childhood friend fully into the fabric of his character.
A former sorority girl, longing for her old, fun college days, decides to take a job as house mother to her former college chapter, only to find that it is in shambles. The handsome Dean of Student Affairs tells her she must turn the chapter around before the national organization yanks their charter and they will no longer be allowed on campus. As she works with the girls, she realizes she needs to be the grown up and help these young women discover their true potential. With the help of the Dean she comes up with a way to save the chapter and falls in love in the process.
Before leaving to settle abroad, Ahmad accepts one last job. He must audition actors for the new National Palestinian Theatre. On the road with interviewer Bissan and her cameraman Loumir, Ahmad goes in search of talent in the numerous refugee camps of Jordan, Syria and Lebanon. Hopefully for the last time, Ahmad experiences the insurmountable difficulties of life in Palestine: harassing searches at check points and borders, barricades, constant tension. He realizes the destiny of all waiting refugees is much the same as his own. He ends up guiding the auditioning actors into dramatizing what best embodies their destiny. But with the chance to catch his plane at risk, Ahmad could see the opportunity for his long-awaited exile slip away
For the last thirteen years AJ (Triple H) has been behind bars, convicted of manslaughter for killing a man who intended to kill his best friend, Jack (Michael Rapaport). Now released, AJ wants nothing more than to start a small business and live a crime-free life. Unfortunately, within hours of leaving prison, his oldest and best friend, Jack (Michael Rapaport) involves AJ in an accidental shooting in which a man is killed, forcing Jack to skip town.
In a cabin of the deep of the forest, a child and his father leas a wild and hard life in utmost isolation. The child grows up fearing and admiring his father, with the ghosts haunting the forest as his only companions. Until the day he discovers the neighbouring village and meets a young girl there, Manon. At her side, he discovers that love exists. From then on he won’t cease to search for the place where his father’s love for him is hiding.
Zombillenium, the Halloween theme park, happens to be the one place on earth where real monsters can hide in plain sight. When Hector, a human, threatens to disclose the true identity of his employees, the Vampire Park Manager has no other choice but to hire him. To see his daughter, Hector must escape from his Zombies and Werewolves coworkers.
This sequel to the box office hit All for One finds the previously tight-knit trio dispersed: Nikolai is on parole, while brothers Ralf and Timo are planning a heist involving the unlikely combination of unsalted butter, a strict diet and a helicopter. When their seemingly impossible heist succeeds, Nikolai asks to borrow some money to start over. The brothers reject him, but when all three of them are tricked by a fish-loving banking executive, they are forced to team up again.
Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino’s deceased wife was Giola’s sister. Eventually tiring of her husband’s mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, Rovi
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