Exploring the fallout of MIT Media Lab researcher Joy Buolamwini’s startling discovery that facial recognition does not see dark-skinned faces accurately, and her journey to push for the first-ever legislation in the U.S. to govern against bias in the algorithms that impact us all.
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After the collapse of the Soviet Union, Ukraine’s social and political institutions faced massive change, including an increasingly corrupt government and crippled infrastructure. A number of the nation’s youth wound up homeless and addicted to a lethal cocktail of injected cold medicine and alcohol. In the early 2000s a pastor from Mariupol named Gennadiy Mokhnenko took up the fight against child homelessness by forcibly abducting street kids and bringing them to his Pilgrim Republic rehabilitation center—the largest organization of its kind in the former Soviet Union. Gennadiy’s ongoing efforts and unabashedly tough love approach to his city’s problems has made him a folk hero for some, and a lawless vigilante to others. Despite criticism, Gennadiy is determined to continue his work.
White Diamond: A Personal Portrait of Kylie Minogue is a 2007 documentary film directed and produced by William Baker and chronicling the life of Australian singer Kylie Minogue during her Showgirl: The Greatest Hits Tour in 2005. White Diamond was filmed between August 2006 and March 2007 in both Australia and the United Kingdom and follows Australian pop singer-songwriter Kylie Minogue on concert tour before and during her resurrected Showgirl: The Homecoming Tour, originally abandoned halfway through its original 2005 run, in Sydney, when Minogue was diagnosed with breast cancer. Intended as a document of Minogue’s return to the stage following her treatment and recovery from cancer, the film also features on-stage and back-stage footage and interviews with a number of Minogue’s tour crew, including Baker himself.
Discover the story of humanity and space exploration as witnessed in the interrelated events of 1968 and 2020.
A tribute to The E Street Band, rock ‘n’ roll, and the way music has shaped Bruce Springsteen’s life, this documentary captures Bruce reflecting on love and loss while recording with his full band for the first time since Born in the U.S.A.
Documentary on the effects of 1970s filmmaking.
There was a time, as recently as the 1980s, when storefronts, murals, banners, barn signs, billboards and even street signs were all hand-lettered with brush and paint. Today, the proliferation of computer-designed, die-cut vinyl lettering and inkjet printers has ushered a creeping sameness into our landscape. Fortunately, there is a growing trend to seek out traditional sign painters and a renaissance in the trade. SIGN PAINTERS is a history of the craft and features the stories of more than two dozen sign painters working in cities throughout the United States.
A dramatization of the events at Gallipoli using the letters of the soldiers who were there.
This portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.
In the summer of 2015, former US Marine and world record weightlifter Matt “Kroc” Kroczaleski was publicly outed as being transgender. The reaction was universal: her sponsors abandoned her, she was disowned by her parents, banned from competing, and she changed her name to “Janae”. This film follows Janae as she attempts to find her place in society. Initially wanting to strip off the muscle and become a much smaller looking woman, she found herself unable to lose the muscle she so desperately gained. She now finds herself living one day as an alpha male and the next day as a delicate girl. Will Janae be able to handle her muscle relapses? Will her passage from being a male bring her the peace she’s looking for? Will society accept a 250lbs muscular woman? Is her path personal redemption or physical and psychological disaster?
Legendary documentary filmmaker Frederick Wiseman (At Berkeley, National Gallery) explores the culture, politics and daily life of the Queens, NYC district of Jackson Heights, which lays claim to being the most diverse neighbourhood in the world.
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