At a time in the United States when the tech sector outpaces the overall growth of the employment market, CODE asks the important question: Where are all the women?
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Jackass 3.5 is a 2011 sequel to Jackass 3D, composed of unused footage shot during the filming of Jackass 3D and interviews from cast and crew
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Meet John G Morris, 95, a legend of photojournalism, whose unerring eye for the best shot has moved and changed the world. Morris, former Picture Editor of Life Magazine & New York Times was instrumental in the early years of Magnum with his friends and peers Robert Capa & Henri Cartier Bresson. This film covers serious subjects; the coverage of conflict through photojournalism, a sensitive view of humanity and a search for peace in the world.
Take Me to the River is a film about the soul of American music. The film follows the recording of a new album featuring legends from Stax records and Memphis mentoring and passing on their musical magic to stars and artists of today.
Chronological look at the life and career of Johnny Carson (1925-2005), with commentary from an ex-wife and more than 30 fellow comedians, friends, employees, and biographers. The biography defines why Carson was an enduring star (his cool, his timing, his genuine laugh, his breadth of knowledge) and pursues his motivations and inner self (a loner with a drinking problem, a decent Midwesterner whose mother withheld approval, a quiet person who loved to entertain). The key to understanding him, argues the biography, is his love of magic.
A mysterious woman comes in to town and inhabits the local haunted mansion, making everyone wonder if she’s a witch or “The Grey Lady”.
A month’s vacation with the family can mean a lot, which is what Lily realizes when she returns home after several years living abroad. Her mother, a character with an exceptional simplicity, forces her to visit their relatives, giving her a family tour through the abandoned landscape of her childhood making her explore her own frustrations, limitations and faults we all inherit.
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A quirky, dysfunctional family’s road trip is upended when they find themselves in the middle of the robot apocalypse and suddenly become humanity’s unlikeliest last hope.
A look at NYC’s gentrification and growing inequality in a microcosm, Class Divide explores two distinct worlds that share the same Chelsea intersection – 10th Avenue and 26th Street. On one side of the avenue, the Chelsea-Elliot Houses have provided low-income public housing to residents for decades. Their neighbor across the avenue since 2012 is Avenues: The World School, a costly private school. What happens when kids from both of these worlds attempt to cross the divide?
A mother grapples to understand how her son became a school shooter and what it would take to prevent the next one.
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