Allied agents infiltrate the Nazi rocket complex at Peenemunde in order to obtain their secrets and sabotage the plant.The film alternates between German developments of the V-1 missile and V-2 rocket (with a German cast speaking their own language) and discovery by British Intelligence of the weapon.

A series of stories about the lives and loves of nine men in a Prisoner of War Camp over five years. Location shooting in the British occupied part of Germany adds believability. The main story is of Hasek (Redgrave) a Czech soldier who needs to keep his identity a secret from the Nazis, to do this he poses as a dead English Officer and corresponds with the man’s wife. Upon liberation they meet and decide to continue their lives together. The other inmates’ stories are revealed episodically.

When Vanessa receives the results from her Family Tree DNA test, she discovers a family she didn’t know existed and travels to their home for Christmas.

Samao Daikoku’s (Shota Sometani) family register was taken which keeps him from escaping the underground life that he has led. To get away once and for all, Samao Daikoku breaks into Daikichi Ebisu’s (Kiyohiko Shibukawa) coin locker to steal gold. Daikichi Ebisu is involved in a criminal organization. In the locker, Samao Daikoku finds a hard disk containing personal information on runaways, homeless people, bankrupt people and prostitutes. He hides the hard disk, but is locked up by Daikichi Ebisu. There, he sees a prostitute, Ami Nanmu (Erina Mizuno) and he also faces an evil gang boss, Kan Senju (Gou Ayano). Samao Daikoku is tortured by the gang boss. The mystery behind Samao Daikoku’s past is revealed.

It’s 1984, and Michael Jackson is king – even in Waihau Bay, New Zealand. Here we meet Boy, an 11-year-old who lives on a farm with his gran, a goat, and his younger brother, Rocky (who thinks he has magic powers). Shortly after Gran leaves for a week, Boy’s father, Alamein, appears out of the blue. Having imagined a heroic version of his father during his absence, Boy comes face to face with the real version-an incompetent hoodlum who has returned to find a bag of money he buried years before. This is where the goat enters.

Quite by accident, a film director arrives in town a day early. With time to kill before his lecture, he stops by a restored palace and meets a fledgling artist. She’s never seen any of his films, but knows he’s famous. They talk, they go to her workshop to look at her paintings, and they have sushi and soju. More conversation follows, along with more drinks, and then an awkward get-together with friends where all sorts of secrets are revealed. All the while, they may or may not be falling for each other. Then, quite unexpectedly, we begin again, but now things appear somewhat different. An uncanny romantic comedy, RIGHT NOW, WRONG THEN is a deliciously intricate masterwork from filmmaker Hong Sangsoo.

Los Angeles is about to be hit by a devastating earthquake, and time is running out to save the city from imminent danger.

Joely Richardson plays a con artist who changes identities faster than most women change hair color. Going on the lam with her daughter (Hayden Panettiere), she scams her way into a prosperous marriage and, when that union sours, pulls off a murder scheme that may be her very last con.

Tracy is a normal 13-year-old trying to make it in school. After befriending the most popular girl at school, Evie, Tracy’s world is turned upside down when Evie introduces her to a world of sex, drugs and cash. But it isn’t long before Tracy’s new world and attitude finally takes a toll on her, her family, and old friends.

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After being thrown away from home, pregnant high school dropout Maria meets Matthew, a highly educated and extremely moody electronics repairman. The two begin an unusual romance built on their sense of mutual admiration and trust.

A young man, on his way to a factory to assess its efficiency, causes a car crash. The factory owner, who ran the business with his wife and her brother, has been killed in an accident, though whether it’s the same accident is left unclear. The film explores the unforeseeable ramifications of the twin tragedies.