In the teeming, multicultural metropolis of modern-day London, a seemingly straightforward missing-person case launches a down-at-heel private eye into a dangerous world of religious fanaticism and political intrigue.
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In 1948, a cross-fire erupts at an isolated stretch of Indo-Pak border, leaving only two soldiers alive. One is an Indian soldier of Pakistani origin while the other happens to be a Pakistani soldier of Indian origin. An ironic story of pride and survival begins when – in an attempt to evade danger, they bump into each other. And amidst continuous exchange of bullets, altercations and murkier situations, it evolves into a journey of human connection with an unforeseeable end.
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DARK HORSE tells the larger than life true story of how a barmaid in a former mining village in South Wales bred a racehorse on her allotment that went on to become a champion. Jan had successfully bred dogs and birds and believed she could do the same with a different animal – though she knew nothing about racing and had never been on a horse. Convincing a handful of locals to part with ten pound a week for her scheme, she found a thoroughbred mare with a terrible racing record for £300, a stallion past his best, put them together and – against all the odds – bred a winner. It’s an audacious tale of luck and chance and beating the odds; a story of how a gaggle of working class folk from the Welsh Valleys took on the racing elite, broke through class and financial barriers, and brought hope and pride back to their depressed community.
Black Friday, the day after Thanksgiving November 2012, four boys in a red SUV pull into a gas station after spending time at the mall buying sneakers and talking to girls. With music blaring, one boy exits the car and enters the store, a quick stop for a soda and a pack of gum. A man and a woman pull up next to the boys in the station, making a stop for a bottle of wine. The woman enters the store and an argument breaks out when the driver of the second car asks the boys to turn the music down. 3½ minutes and ten bullets later, one of the boys is dead. 3½ MINUTES dissects the aftermath of this fatal encounter.
Viviana (Andrea Lopez) and Alicia (Martha Isabel Bolaños) have never met, but they’re about to get intimately acquainted. One day, while tipping drinks back in a bar, the two women strike up a conversation that quickly turns personal, Viviana is locked in an abusive marriage, and Alicia’s female lover, Lorena (Carolina Sepulveda), has recently fallen for another woman. As the two women strangers find common ground in their lives, they enter into a secret pact to kill the people who have made their lives a living hell. Seductive, bloody and shocking events send them both plummeting down a destructive path from which there is no escape
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