Elvis Martini is in deep shit. His dilapidated Detroit apartment building is about to be foreclosed on by the bank; most of his tenants are behind on rent; he’s in big debt to bookies and his daughter’s school. He finds some ill-gotten cash in an evicted tenant’s apartment and it briefly keeps the wolves at bay, but it brings out a bigger wolf, one that wants his stolen money back. When his daughter is kidnapped by the mysterious menace he’s accidentally messed with, Elvis has 24 hours to come up with $25K – cash only.
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A French chef swears revenge after a violent attack on his daughter’s family in Hong Kong, during which her husband and her two children are murdered. To help him find the killers, he hires three local hit-men working for the mafia.
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A delightful dramatic comedy, a buddy picture, and, for good measure, a heist film. Curmudgeonly old Frank lives by himself. His routine involves daily visits to his local library, where he has a twinkle in his eye for the librarian. His grown children are concerned about their father’s well-being and buy him a caretaker robot. Initially resistant to the idea, Frank soon appreciates the benefits of robotic support – like nutritious meals and a clean house – and eventually begins to treat his robot like a true companion. With his robot’s assistance, Frank’s passion for his old, unlawful profession is reignited, for better or worse.
Kelly (Antonia Campbell-Hughes) meets Victor (Julian Morris) while they are both loved up on the dance floor of a Liverpool nightclub. They are soon in her bed, fucking with an urgent intensity that neither has experienced before. These are two characters struggling to get by as best they can while the people around them are choosing illegal lifestyles; her best mate is a dominatrix prostitute, his pals are aspiring drug dealers. It’s when they get into bed with each other that their darker instincts take over.
Julie is a young tennis star who falls in love with his trainer – because she yearns for love and because she wants to liberate themselves from the ambitions which the father has on her behalf. Birgitte Hjort Sørensen has a conflict and fragile Juliet, and Rolf Hansen is the coach who tries to keep Julie from life. Other actors, Jesper Christensen as ambitious and indebted father, Trine Appel as the coach’s disdain fiance and Niels Skousen as a nightclub owner. “Julie” is a modern update of August Strindberg’s “Miss Julie”.
After receiving a distressing medical diagnosis, a listless young man flees the crushing tedium of Toronto city life, trading it all for the wilderness of the British Columbian Interior. When his whims go awry, he is reduced to petty thievery just to survive. Fearing his misdeeds will catch up with him, he retreats further and further into the woods only to gradually find himself the target of increasingly inexplicable and disturbing manifestations, which point to a frightening truth: he is not alone. Some one or some thing is pursuing him into THE INTERIOR.
In a summer they won’t forget, two broke college students start filming parties for money. Hello dollar signs. Goodbye morals. Welcome to the night club scene.
Forty-something Leon is an alcoholic, ex-special forces barely scraping by when he’s hired by a mobster to protect his 16 year old daughter. Not only does Leon have to clean up his act, but also handle the romantic advances of his ward and the keen attention of his dangerous employers.
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A shocking secret, ex-lovers and the arrival of an outsider shake things up for Liz as she celebrates her birthday at a lesbian-owned resort.
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