The last thing Eddie Mills wants to do is go home to deal with his dying Dad. But the Catholic guilt gnaws at him, and he returns home to his crazy family, an overbearing step-mother, and his bear of a father. Once there, Eddie is confronted with a revelation that forces him to deal with the past he has always avoided.

Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.

German students compete to enter one of the country’s elite schools.

A reality TV director copes with a spoiled celebutante and a show gone haywire when a masked killer starts bumping off the crew in this slasher-movie satire.

There is nowhere to hide…nowhere to run…the Zombie Apocalypse has come, and our world now belongs to the dead! From Ireland, Canada, Australia, Europe and all over the U.S., the bone-chilling news reports tell the same gruesome tale – walking corpses terrorize and devour the living. Only a few desperate humans find the courage to stand and fight for their last chance at survival. But the hordes of undead keep coming, and there’s only one thing on the menu – us.

A young woman returns to her small hometown to rediscover music, family bonds, and the magic of the Christmas season.

From the land of early Peter Jackson comes another Braindead movie in bad taste. It’s the third day of shooting the low budget horror ‘Tonight They Come’ on location in the wilds of New Zealand. Director SMP is already beside himself having to work with a self-obsessed leading man and a bimbo actress when into his line of fire comes a new runner, wannabe screenwriter Wesley Pennington. Clearly an accident-prone nerd, Wesley nevertheless tries his best to fit in with the crazed cast and demented crew while falling head over heels for Susan, the set caterer. But something nasty has entered the local water supply and suddenly the zombie extras start acting like genuine members of the living dead, gore stunts looks even more authentic and actual severed limbs fly. Reel life turns real as Wesley attempts to save the day while ensuring his latest script will get made.

The seemingly picturesque life of an ex-musician musician turns upside down when the woman who caused him to quit music moves in down the street.

Nazi POWs suspected of heinous acts are locked up in a Soviet women’s prison run by vengeful female guards. To weed out the guilty, the innocent must pay. Can supposed enemies turn into great loves? Based on a true post-World War II story, this drama stars Thomas Kretschmann, John Malkovich and Vera Farmiga in a bitter game of cat and mouse and a battle between hate and humanity, mercy and revenge.

Tom Leezak and Sarah McNerney fall in love and plan to get married, despite opposition from Sarah’s uptight, rich family. When they do get married, and get a chance to prove Sarah’s family wrong, they go on a European honeymoon and run into disaster after disaster. They have to decide whether the honeymoon from hell and a few pre-marital mistakes are worth throwing away their love and marriage.

Leonard is an English tailor who used to craft suits on London’s world-famous Savile Row. After a personal tragedy, he’s ended up in Chicago, operating a small tailor shop in a rough part of town where he makes beautiful clothes for the only people around who can afford them: a family of vicious gangsters.

A day in Hollywood, 1972, with young people looking for the 24 hours that will change their lives. Zach will open that night for a British rocker at Whisky a Go-Go; he lives in a canyon and plays impromptu duets with a mysterious guitarist he doesn’t see. Tammy is a costume designer, open to quick sex with the various rockers she works with and loved from afar by Michael, a photographer recovering from a case of the clap. His good friend is Felix, a morose, alcoholic songwriter. On hand for comic relief is Marty Shapiro, a fast-talking record producer. Getting ready for the gig at the club, Zach’s performance, and the early-morning aftermath comprise the film.