Molly and Jared have both sworn off holiday events. When they find themselves stuck at a Christmas-themed ranch, they have no choice but to allow their cynical hearts to melt.

An endearing outlier, Brian lives alone in a Welsh valley, inventing oddball contraptions that seldom work. After finding a discarded mannequin head, Brian gets an idea. Three days, a washing machine, and sundry spare parts later, he’s invented Charles, an artificially intelligent robot who learns English from a dictionary and proves a charming, cheeky companion. Before long, however, Charles also develops autonomy. Intrigued by the wider world — or whatever lies beyond the cottage where Brian has hidden him away — Charles craves adventure.

Paris 1930.
Paul has only ever had one and the same horizon: the high walls of the orphanage, an austere building in the Parisian working class suburbs. Entrusted to a joyful country woman, Célestine, and her husband, Borel, the rather stiff gamekeeper of a vast estate in Sologne, the city child, recalcitrant and stubborn, arrives in a mysterious and disturbing world, that of a soverign and wild region.
The huge forest, misty ponds, heaths, and fields all belong to the Count de la Fresnaye, an elderly taciturn man who lives alone in his manor.

This animated adventure retells the story of the lost daughter of Russia’s last czar. The evil Rasputin places a curse on the Romanov family, and Anastasia and her grandmother, Empress Maria, get separated. After growing up in an orphanage, Anastasia encounters two Russian men seeking a reward offered by Empress Maria for the return of her granddaughter. The trio travels to Paris, where they find that the empress has grown skeptical of imposters.

When Confederate soldier Matt Weaver returns to town after the Civil War, he finds that his home has been sold by town boss Sam Brewster. Brewster hires gunfighter Jules Gaspard d’Estaing to deal with Weaver, but d’Estaing’s independent approach settles the town’s problems in a very unorthodox manner.

In this modern telling of the classic tale, aspiring singer Katie Gibbs falls for the new boy at her performing arts high school. But Katie’s wicked stepmother and stepsister are scheming to crush her dream before she can sing her way into his heart.

The Go Master is a 2006 biopic by director Tian Zhuangzhuang of renowned twentieth century Go master Wu Qingyuan, better known by his adopted name of Go Seigen. The film, which premiered at the 44th New York Film Festival, focuses on the life of this extraordinary player from his meteoric rise as a child prodigy to fame and fortune as a revolutionary strategic thinker, as well as the tumultuous global conflicts between his homeland and his adopted nation. The film also features a scene involving the Atomic bomb go game.

In the tradition of classic westerns, a narrator sets up the story of a lone gunslinger who walks into a saloon. However, the people in this saloon can hear the narrator and the narrator may just be a little bit bloodthirsty.

Set in a small village in North Vietnam, a tale of awakening which traces a growing love triangle between Nham, an earnest and responsible 17-year-old country boy; the charming Ngu, his lonely and naive sister-in-law with whom he works closely in the fields; and Quyen, a stylishly vivacious expatriate who has just returned from the city, curious about life in the village where she spent her childhood. While all three characters are too reticent to unleash their feelings, the romance turns on the realization that this web of emotions is largely symbolic. Nham represents for Quyen an innocence and a past that she can’t recapture, just as she represents for Nham an urbanity and future prospects that he may never attain; and caught between the two is the delicate Ngu, left in the most desolate postion of positions.

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A 17 year old finds out that his girlfriend is dying, so he sets out to give her an entire life, in the last year she has left.

Returning from a hunting trip in the forest, the Henderson family’s car hits an animal in the road. At first they fear it was a man, but when they examine the “body” they find it’s a “bigfoot”. They think it’s dead so they decide to take it home (there could be some money in this). As you guessed, it isn’t dead. Far from being the ferocious monster they fear “Harry” to be, he’s a friendly giant.