“Botoks” is intended to be a record of the authentic history of strong, determined and expressive physicians who struggle with life’s decisions and problems: discrimination, maternity pressures, the pursuit of youth, the fight for the right to free choice and own views.
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Up-and-coming sports reporter rescues a homeless man (“Champ”) only to discover that he is, in fact, a boxing legend believed to have passed away. What begins as an opportunity to resurrect Champ’s story and escape the shadow of his father’s success becomes a personal journey as the ambitious reporter reexamines his own life and his relationship with his family.
Every night, in danger of being beheaded, Scheherazade tells King Shahryar unfinished tales to continue them the following night, hence defying his promise of murdering his new wives after their wedding night. Scheherazade tells king Shahryar her stories but these are not those in the book. These are stories based on whatever will be happening in Portugal during the production time of the film. As in the book, these stories will be tragic and comical, with rich and poor, powerless and powerful people, filled with surprising and extraordinary events. This film will be about the reality of a disgraced country, Portugal, under the effects of a global economic crisis.
Lee Jang-hwan receives widespread acclaim and media attention after successfully cloning human embryo stem cells. A TV news program PD, Yoon Min-cheol, receives a phone call from an anonymous source who says he has worked with Dr. Lee on the stem cell project. The source blows the whistle on Lee’s work, revealing how Lee fabricated research results and engaged in unethical practices.
Marie and Boris decide to get a divorce after 15 years of marriage. Tensions rise when cash-strapped Boris must continue to live with Marie and the two children while trying to figure out how to divide the assets.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
After multi-millionaire Ted Ammon is found bludgeoned to death at his East Hampton estate, the fingers point to his estranged wife, Generosa Rand, and her lover, an electrician named Danny Pelosi.
A man awakens in a car wreck at the bottom of a steep cliff. He can’t remember who he is or how he got there, but a report over the radio fills in some of the blanks, as it describes a violent bank robbery and names a perpetrator who happens to be sitting dead in the back seat.
Sarah seems to have found her calling working in a Liverpool care home where she has a special talent for connecting with the residents. Then, in March 2020, the Coronavirus pandemic hits.
Paul Gauguin feels smothered by the atmosphere prevailing in Paris in the year 1891. Around him, everything is so artificial and conventional: he needs authenticity to renew his art. Failing to convince his wife Mette and his five children to follow him to Paradise Lost, he sets out for Tahiti alone. Once there, he chooses to settle down in Mataiera, a village far away from Papeete, installing himself in a native-made hut. He soon starts working passionately, painting and carving in a style close to the primitive art specific to the island. During his two-year stay the artist will experience poverty, cardiac problems and other displeasures but also happiness in the arms of Tehura, a beautiful young native girl.
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