It’s 1938, but Stan doesn’t know the war is over; he’s still patrolling the trenches in France, and shoots down a French aviator. Oliver sees his old chum’s picture in the paper and goes to visit Stan who has now been returned to the States and invites him back to his home.
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At one of his many visits to his doctor, hypochondriac George Kimball mistakes a dying man’s diagnosis for his own and believes he only has about two more weeks to live. Wanting to take care of his wife Judy, he doesn’t tell her and tries to find her a new husband. When he finally does tell her, she quickly finds out he’s not dying at all (while he doesn’t) and she believes it’s just a lame excuse to hide an affair, so she decides to leave him.
When a young resistance fighter witnesses atrocities towards the Jews, he’s drawn into a web of espionage and clandestine activities. When he meets a young physics students and resistance journalist – Hans Poley – they embark on a hunt through underground tunnels, Gestapo hijacks and daring rescues.
Meet John G Morris, 95, a legend of photojournalism, whose unerring eye for the best shot has moved and changed the world. Morris, former Picture Editor of Life Magazine & New York Times was instrumental in the early years of Magnum with his friends and peers Robert Capa & Henri Cartier Bresson. This film covers serious subjects; the coverage of conflict through photojournalism, a sensitive view of humanity and a search for peace in the world.
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Fact-based war drama about an American battalion of over 500 men which gets trapped behind enemy lines in the Argonne Forest in October 1918 France during the closing weeks of World War I. Based on a true story, The Lost Battalion is set in 1918 during the final months of WWI. Assigned to capture an enemy stronghold in Charlvaux at the height of the Argonne campaign, the men of the AEF 308th Battalion, 77th Division, are led by young American major Charles Whittlesey, an inexperienced but dedicated “citizen soldier.” Totally cut off from the other allied troops, unaware of their vulnerability, and barraged by “friendly fire,” the 500-plus men of the 308th bravely hold their position, suffering incredible losses and unspeakable deprivations in the process — while the battalion’s superior officers, far from the firing line, callously prepare to write off the men as expendable casualties.
Horrific Nazi experiments have left a surviving WWII soldier with a terrifying condition: at the sight of fresh blood, he transforms into a man-sized, blood-sucking killer insect. Refusing to let his affliction destroy him and all he loves, he instead commits himself to using his “powers” for good-by finding the people responsible and bringing them to justice.
Lucky is tricked into missing his wedding to Margaret by the other members of Pop’s magic and dance act, and has to make $25,000 to be allowed to marry her. He and Pop go to New York where they run into Penny, a dancing instructor. She and Lucky form a successful dance partnership, but romance is blighted by his old attachment to Margaret and hers for Ricardo—the band leader who won’t play for them to dance together.
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