Sherlock Holmes is, without doubt, the most famous fictional detective the world has ever known. HOW SHERLOCK CHANGED THE WORLD will show that Conan Doyle’s hero not only revolutionized the world of fiction, but also changed the real world in more ways than many realize. Holmes was a scientist who used chemistry, fingerprints and bloodstains to catch an offender in an era when eyewitness reports and “smoking gun” evidence were needed to convict criminals, and police incompetence meant that Jack the Ripper stalked the streets freely. In many ways, the modern detective can be seen as a direct extension of Conan Doyle’s literary genius.

In this hilarious and heartwarming special, Jo Firestone teaches a comedy workshop for 16 senior citizens, leading up to their first live stand-up show.

An IMAX documentary about the national parks of America.

Follow a beloved Andy Warhol Brillo Box sculpture as it makes its way from a family’s living room to a record-breaking Christie’s auction, blending personal narrative with pop culture, and exploring how we navigate the ephemeral nature of art and value.

Behind the gates of a palm-tree-lined fantasyland, three residents and one interloper at America’s largest retirement community strive to find happiness.

Thomas Riedelsheimer’s landmark Rivers and Tides inventively documented artist Andy Goldsworthy as he created his wondrously ephemeral site-specific sculptures, spun from nature. Fifteen years later, Goldsworthy is still appealingly engaged in his philosophical and tactical exploration of the natural world. Leaning Into the Wind is a collaborative sequel—a visual and aural sensation that takes viewers into the hillsides, terrains, and other outdoor spaces where Goldsworthy feels most at home and inspired.

The cold war, the space race, and NASA’s moon landing are landmark events that defined an era. But they are also fodder for conspiracy theories.
In Houston, We Have a Problem! filmmaker Žiga Virc adds new material to the discussion on both fronts. This intriguing docu-fiction explores the myth of the secret multi-billion-dollar deal behind America’s purchase of Yugoslavia’s clandestine space program in the early 1960s.

Nine filmmakers each profile a young girl from a different part of the world to weave a global tapestry of youth in the 21st century.

NO CAMERAS ALLOWED is a documentary that follows James Marcus Haney’s journey of breaking into music festivals and inserting himself into the world of some of the biggest names in the industry – Mumford & Sons, Jay-Z, and Edward Sharpe & the Magnetic Zeros. But Marcus isn’t your average “festie” kid. He’s a guy with a love of photography and filmmaking and a deep passion that drives him to do nearly anything to see his favorite bands perform.

When Steve Jobs died the world wept. But what accounted for the grief of millions of people who didn’t know him? This evocative film navigates Jobs’ path from a small house in the suburbs, to zen temples in Japan, to the CEO’s office of the world’s richest company, exploring how Jobs’ life and work shaped our relationship with the computer. The Man in the Machine is a provocative and sometimes startling re-evaluation of the legacy of an icon.

After running into a neighbourhood acquaintance at the local used record store who shared his list of 15 reasons to live, Alan Zweig felt a strong compulsion to make a film on the subject, despite his admission, “I didn’t make lists and I never thought about reasons to live.” From this inspiration begins a series of episodic chapters adapted to the themes of Ray Robertson’s collection of essays. The participants are as eclectic as the list, sharing personal anecdotes related to (among other themes) work, love, intoxication, humour, solitude, duty, home and death. Humorous and sometimes heartbreaking, Zweig’s compassion for his subjects and their stories, expressed through his conversational and candid interview style, ties these vignettes together in a visual essay that strikes deeper chords about finding meaning in our existence. Amongst his subjects’ reasons to live Zweig finds a couple of his own in his touching, honest and endearing way.

Unprecedented access to the New York Times newsroom yields a complex view of the transformation of a media landscape fraught with both peril and opportunity.