A group of coeds from a small conservative college break out of their shells when their marching band bus breaks down in Fort Lauderdale during Spring Break.
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“Hair” is a 1979 musical war comedy-drama film adaptation of the 1968 Broadway musical “Hair: An American Tribal Love-Rock Musical” about a Vietnam War draftee, Claude, who meets and befriends a tribe of long-haired hippies on his way to the army induction center.
Claude heads to New York upon receiving his draft notice, leaving the family ranch in Oklahoma. He arrives in New York where he is rapidly indoctrinated into the youth subculture before reporting in for boot camp.
It’s Hollywood, 1958. Small town beauty queen and devout Baptist virgin Marla Mabrey, under contract to the infamous Howard Hughes, arrives in Los Angeles. At the airport, she meets her driver Frank Forbes, who is engaged to be married to his seventh grade sweetheart and is a deeply religious Methodist. Their instant attraction not only puts their religious convictions to the test, but also defies Hughes’ number one rule: No employee is allowed to have any relationship whatsoever with a contract actress. Hughes’ behavior intersects with Marla and Frank in very separate and unexpected ways, and as they are drawn deeper into his bizarre world, their values are challenged and their lives are changed.
A man watches his life unravel after he is left by his blind girlfriend.
A childhood incident has convinced Faith Corvatch that her true love is a guy named “Damon Bradley,” but she has yet to meet him. Preparing to settle down and marry a foot doctor, Faith impulsively flies to Venice when it seems that she may be able to finally encounter the man of her dreams. Instead, she meets the charming Peter Wright. But can they fall in love if she still believes that she is intended to be with someone else?
Artie is pure bred trailer trash. He has zero ambition, is everyone’s favorite punching back at school and bears the burden of his virginity in silence. And then April moves out of the state. She’s his best friend and support since kindergarten and the love of his life. Three years later Artie finally has the courage to take to the road and go see April to tell her how he feels about her. One car-crash later Artie wakes up in the middle of the zombie apocalypse. But this time he’s not going to hide. Artie’s love for April doesn’t give him wings, but does give him the courage to hack, slash, punch and kick himself a part towards the girl he loves. Time is of the essence, because that bite on his hand will make the difference between a French kiss and a bite out of April’s brains.
Two best friends move in together but disagreements about cleaning and house parties are destined to drive them apart.
An island populated entirely by happy, flightless birds or almost entirely. In this paradise, Red, a bird with a temper problem, speedy Chuck, and the volatile Bomb have always been outsiders. But when the island is visited by mysterious green piggies, it’s up to these unlikely outcasts to figure out what the pigs are up to.
It’s not easy being a gangster. The switch is on, in this sequel continuing where “Becoming Vasser” left off. Gordon, a bumbling dealer, has hilariously fallen into the identity of ruthless trafficker, Samuel Vasser. With the world on a silver platter, will he stay the villain or become the hero? Can Vasser’s empire continue with an idiot at the wheel? Part two of a two-film duology.
Teenager Les Anderson thinks his life can’t get any worse after he flunks his driver’s exam, but he’s wrong. Even though he didn’t receive his license, Les refuses to break his date with the cool Mercedes Lane, and he decides to lift his family’s prize luxury car for the occasion. Unfortunately, Mercedes sneaks some booze along and passes out drunk, and a confused Les makes the bad decision of enlisting his rebellious friend, Dean, to help.
Valentin is Acapulco’s resident playboy, until a former fling leaves a baby on his doorstep and him heading with her out of Mexico.
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