Mother and daughter – Big Edie and Little Edie Beale – live with six cats in a crumbling house in East Hampton. Little Edie, in her 50s, who wears scarves and bright colors, sings, mugs for the camera, and talks to Al and David Maysles, the filmmakers. Big Edie, in her 70s, recites poetry, comments on her daughter’s behavior, and sings “If I Loved You” in fine voice. She talks in short sentences; her daughter in volumes. The film is episodic: friends visit, there’s a small fire in the house, Little Edie goes to the shore and swims. She talks about the Catholic Church. She’s ashamed that local authorities raided the house because of all the cats. She values being different.

A filmmaker sets out to discover the life of Joyce Vincent, who died in her bedsit in North London in 2003. Her body wasn’t discovered for three years, and newspaper reports offered few details of her life – not even a photograph.

The courtroom and publicity battles between the superstar wrestler and the notorious website explode in a sensational trial all about the limits of the First Amendment and the new no holds barred nature of celebrity life in an internet dominated society.

In this documentary, survivors recall the catastrophic 2018 Camp Fire, which razed the town of Paradise and became California’s deadliest wildfire.

The director’s mother, Mirka Mora, avoided Auschwitz by one day. On his father’s side many perished in the Holocaust. These facts triggered three visits to Auschwitz by Mora from 2010 to 2014 in an effort to understand and remember.

Follow four Americans as they travel the country in an effort to bridge political division. From Susan Bro, reluctantly called to activism after losing daughter Heather Heyer in Charlottesville, to Milwaukeean Steven Olikara, founder of the Millennial Action Project, they all seek to mend division and find the human bond that crosses the aisles of our partisan nation. This film is a balm before Election Day, reminding us that even within division, connection is possible.

An unprecedented journey inside a radical animal rights campaign that shook multinational corporations to their core and led to the first-ever indictment of six young American activists for terrorism.

Dive into our planet’s greatest mysteries with a team of international underwater cinematographers as they explore the breathtaking bond between humanity and the ocean.

Film adaptation of French economist Thomas Piketty’s ground-breaking global bestseller of the same name: an eye-opening journey through wealth and power.

Meet the new royal couple and their entourage as we follow their story from the beginning of their romance through their engagement announcement and discover how an American actress will soon be a member of the British Royal family.

As one art scene insider proclaims, the contemporary art world can be summed up as “rich people trying to prove how rich they are,” but is that all there is to this billion dollar industry? Well-researched and expertly constructed, Barry Avrich’s eye-opening documentary peels back the layers of the art world economy- from production to circulation, and delineates every integral player in the game of art-making, including curators, gallerists, collectors, donors, auction houses, and … artists. In the process, he unpacks the complex and surprising ecosystem that supports the art world superstars and million-dollar deals that make front-page news. Featuring extraordinary access to industry players and candid statements from prominent artists like Damien Hirst, Julian Schnabel, Taryn Simon, and Marina Abramovic, Blurred Lines collides the two narratives of the art world as both above and beholden to market forces.

A thrilling journey through legends, belief and folklore, this film goes behind the scenes with the British Library as they search to tell that story through objects in their collection, in an ambitious new exhibition: Harry Potter: A History Of Magic. J.K. Rowling, who is lending unseen manuscripts, drawings and drafts from her private archives (which will sit alongside treasures from the British Library, as well as original drafts and drawings from Jim Kay) talks about some of the personal items she has lent to the exhibition and gives new insight into her writing, looking at some of the objects from the exhibition that have fired her imagination.