The ‘Casa do Povo’ cultural centre in São Paulo, an icon of the secular Jewish workers’ movement: a crumbling theatre flanked by staircases, entryways and corridors. Construction noise drones away in the background, clinking crockery, a broom sweeping over tiled floors, an expressive façade of countless adjustable panes of glass covered by a patina. It’s October 2016 and a group of young people are preparing a preview of Bickels [Socialism]. The venue is to form a prologue to the completed film, which tours 22 buildings in Israel designed by Samuel Bickels, most of which for kibbutzim. Dining halls, children’s houses, agricultural buildings, bright structures inserted into the Mediterranean landscape with great ingenuity. An architecture with a sell-by date: That many are now empty or have been repurposed at best is linked to the decline of the socialist ideals they embody.
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A road trip across five countries to explore the social and political movements as well as the mainstream media’s misperception of South America while interviewing seven of its elected presidents.
The Ultra Fans of the three foremost football clubs in Istanbul, Galatasaray, Fenerbahce and Besiktas, have been known all over Europe for their unconditional support of their teams, and their mutual rivalry that often resulted in extremely violent clashes. The current protest movement in Turkey -originated to protect Gezi-park against demolition- is a movement against the ruling AK party. The ruthless dealings of the police against peaceful protesters sparked a nation-wide movement. Then something remarkable happened: fans of the competing football teams united for a common cause for the first time ever. The football ultras now fight side by side against the police and use their experience with clashes to help the protesters against tear gas and to build barricades. The name for their alliance: Istanbul United.
The follow up film to Haunted State: Whispers from History Past (2014). The Wisconsin-based paranormal investigation team sets out on a journey across Wisconsin to investigate historic theaters, that are rumored to have paranormal activity including “Shadow people” being reported by theater staff. Individually the theatres make up a group called, the Theatre Of Shadows. Those Wisconsin theatres are: The Riverside and Pabst theatres in Milwaukee, Barrymore Theatre in Madison and the Grand Opera House in Oshkosh. The adventure unfolds as the paranormal events are captured on film along with the history of Wisconsin’s theaters being revealed. The evidence is pieced together uncovering the mysteries that lie inside Wisconsin’s Theatre Of Shadows.
This exploration of Japan’s fascination with girl bands and their music follows an aspiring pop singer and her fans, delving into the cultural obsession with young female sexuality and the growing disconnect between men and women in hypermodern societies.
An examination of our dietary choices and the food we put in our bodies.
For a seventy-year period, when America cared little about the education of African-Americans, and discrimination was law and custom, The Bordentown School was an educational utopia. An incubator for black pride and intellect, it taught values, discipline, and life skills to generations of black children. This is the story of that remarkable school, as told by Bordentown alumni, historians, and remarkable archival footage. It is also the story of black education in America across three centuries, presenting a nuanced, rarely seen portrait of a separate black space; and a much-needed preface to the growing national discussion about historically black institutions and their role in nurturing identity and accomplishment. What was lost and what was gained in the march toward equality?
Live and Let Live is a feature documentary examining our relationship with animals, the history of veganism and the ethical, environmental and health reasons that move people to go vegan.
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Accept the Call charts a Muslim American family’s struggle against Islamic radicalisation. Through a series of calls from federal prison, Yusuf and his son examine and rebuild their understanding of their faith.
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