The premise behind Better Left Unsaid, lies in the unconfined analysis of the often violent extremism of today’s Western political landscape. As liberal democracy becomes increasingly challenged in the West, we expose the dangerous tactics employed by the radical-left and far-right, alike. In a world where political polarization frames the way in which we live, a new path forward of unity is needed more than ever before. The value of the film lies in its impact, brevity and digestibility – as we confront the philosophical underpinnings of the radical left and their extreme right counterpart.

One man’s soul searching decision on whether or not he should join Facebook sets him off on an epic journey of self-discovery as he weighs the pros and cons of becoming a member of the world’s largest social networking site. Along the way he talks with family, friends, total strangers and even celebrities whose lives have all been touched in one way or another by Facebook. From the long lost high school friend who uses it to stay in touch with classmates, to the pick-up artist who trolls the site to score with women, to the criminal who tracks your every movement to know when to rob your house, the best and the worst of Facebook is on display.

A young film director returns to Venezuela, inspired to make a film based on his father’s life in the Amazon jungle (La Fortaleza, Jorge Thielen Armand). He casts Father to play himself. What starts as an act of love and ambition — filmmaking to more deeply understand the self, and the other — spirals into a process which confronts Father’s struggles with addiction and his life devoid of his son. EL FATHER PLAYS HIMSELF holds a steady lens to the way the act of cinema unearths, binds, heals and destroys.

A meditation on the elemental bonds of family told through portraits of four Syrian families in the aftermath of war.

A baby pufferfish travels through a wondrous microworld full of fantastical creatures as he searches for a home on the Great Barrier Reef.

A documentary which focuses on Indie Horror Filmmakers from around the world and the perils we’re put through to bring your our films.

Stan Romanek is the center of the world’s most documented extraterrestrial contact story, and the multitude of evidence accumulated over the past decade has convinced thousands around the world that his story is true. This documentary film takes audiences on a journey through Stan’s past, present and future with one goal in mind: help the world understand that no one knowingly chooses the challenges Stan and his family have endured. This film’s intention is not to prove the existence of UFOs and extraterrestrials, but it does pose the question’ What if this is all true? extraordinary: the stan romanek story is about one man’s evolution through a life he did not choose and the messages he is driven to deliver to mankind.

A feature-length documentary about our complex relationship with manufactured objects and, by extension, the people who design them.

Aiming to be an in-depth study of hooliganism (both in act and in what it is to be one), director Donal MacIntyre, a former undercover journalist who was once under assignment as a hooligan himself, asks why hooliganism came to be and also why, of all sports, it’s so closely associated with football (http://moviefarm.co.uk).

In New York’s West Village, the elderly residents of a unique artist community continue to question, challenge and create as though there is no tomorrow.

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In 1988, filmmaker Kevin Tomlinson filmed & interviewed a group of back-to-the- land “hippies”–living off-grid, insulated from mainstream culture. In 2006 he tracked down his subjects again to find out what had become of their families’ utopian plans and dreams.