Teacher Linda Sinclair (Julianne Moore) balances her staid home life with an incredible passion for her subject, but her routine is forever altered when a former star pupil and his unsupportive father reenter her life. Go-to television director Craig Zisk, whose credits include Scrubs, Weeds and United States of Tara, takes a turn on the big screen with this insightful comedy about self-discovery co-starring Greg Kinnear, Nathan Lane, Michael Angarano and Lily Collins.

REPARATION is a powerful psychological thriller that swirls like a funnel cloud around Bob Stevens — a small-town farmer with a three-year hole in his memory. When a mysterious stranger, Jerome, shows up claiming to have been his best friend in the Air Force Police, Bob’s peaceful existence begins to unravel from the outside in. Bob’s entire family is caught in the storm — but none more than Bob’s eight year-old daughter, Charlotte, who discovers that she might hold the key to conjuring Bob’s forgotten past. As Charlotte comes to learn, “every time something happens that knocks us out of balance, we try doing something that will knock us back in…” That universal theme of balance is the soul of REPARATION.

A stand-up comedian confesses to a murder on-stage at an open mic night to a shocked audience – his crime the result of a deadly triangle formed between his older sister, just released from prison after a 20-year stay for the murder of their parents, the loving bond he now shares with a caring surrogate family, and the ultimate choice he must make between them – his dysfunctional blood ties with his own sister, or his picturesque view of the ideal family.

Based on Verdi’s (Bizet’s not Verdi’s) classic opera and its all African American musical counterpart Carmen Jones, Carmen a Hiphopera is a modern retelling of the story of the tragic gypsy Carmen. The setting has been taken from the hots streets of Barcelona and is now in scorching urban Philadelphia. This time Carmen Brown is an aspiring actress who in her own words ‘leaves the whole town speechless.’ Her sultry looks and carefree confidence attract the attention of everyone from crooked cop Luietenant Miller to famous rapper Blaze. However Carmen has eyes on the one man she can’t have- Seargeant Derrick Hill who is engaged. Yet nothing stops Carmen Brown getting what she wants- except perhaps a trip to LA and an ominous tarot cards prophecy.

Mater is a film about the struggle between love and law; about social differences and distances that these generate. And about love, that crosses all, allows all: both good and evil.

In 1962 England, a young couple finds their idyllic romance colliding with issues of sexual freedom and societal pressure, leading to an awkward and fateful wedding night.

A census-taker (Sisto) is sent to investigate why a certain small town has had the same population — 436 residents — for the last 100 years.

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The fates of an apparently random group of strangers who each come into contact with a mysterious figure who they believe possesses the power to grant any wish, in return for which they must carry out a task he assigns them.

Tommy was born and raised on a rocky, drought-ridden sheep station in the middle of the Australian Outback.

This enjoyably goofy’n’duffy piece of 70’s drive-in fluff centers on a six woman outlaw gang who prey on hapless backwoods motorists. The gals are owned and trained by the amiable, scruffy, pleasantly mellow Manson-like Benson (shaggy hairball Norman Klar), a charismatically breezy anti-establishment type who wants to raise enough money to purchase a bus so he and his female family can go to California.