Narumi is on bad terms with her husband Shinji when one day, Shinji goes missing. He comes back a couple of days later, but seems like a totally different person, and is now gentle and tender. He goes for a walk every day. Meanwhile, Journalist Sakurai covers the story of a family that was brutally murdered, when an unexplained phenomenon takes place. Shinji Kase tells his wife that he came to Earth to invade.
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The United Kingdom. Soon. Civil war rages. A woman wakes up in a blindingly white cuboid cell. Using its sophisticated functionality, her captor tortures her for information; information she claims not to have – or does she?
Clay Foster is face to face with a griping situation. His wife is dead and he cannot accept it. He is in denial. The story starts in the midst of a tangled murder mystery. Clay’s wife was brutally murdered. How was she killed? Who killed her? The audience is forced to see the world as Clay does, through the eyes of a man traveling through the horrible stages of grieving; denial, anger, and finally acceptance, trying to solve the mystery of his murdered wife. As death comes upon all men, so does the Syphon. In clays diminutive state, his sanity brings him to rest very close at the veil between life and death. He is attune to the fragments and properties that join the two worlds, and being in such a state he is privy to witness and communicate with the beings that walk between them.
When Jeff and his friend rescue a young beautiful woman (Kelly Preston) from an apparently abusive boyfriend, the trouble starts. Jeff unknowing becomes involved with Miranda (Kelly) and the web of intrigue that follows her. Miranda is on the run from the witches coven (to which she belongs). Miranda tells Jeff of her situation, but not the entire truth. Jeff willingly helps Miranda out of her troubles, but creates his own.
A weary gunfighter attempts to settle down with a homestead family, but a smouldering settler and rancher conflict forces him to act.
The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father. Jack finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith.
A modernization of the classic western in which the Cowboys are a struggling local amateur soccer team, the Indians run a nearby Tandoori restaurant and the bandits are a group of menacing thugs led by a maniac known simply as ‘American Bob’.
Karmageddon is an investigation of contemporary Western spirituality in the wake of the 1960s. It follows Bhagavan Das, an American whose spiritual journey to India in 1964 would shift American spirituality. He mentored Ram Dass, the Harvard psychology professor fired with Timothy Leary for their experiments into LSD. He inspired the book ‘Be Here Now,’ a key document of 20th century spiritual literature that brought Eastern practices to the West. Since the 1960s, Bhagavan Das has worked as a kirtan chanter and guru. He has also slept with over 500 women while at times dropping his spiritual calling to sell used cars and encyclopedias. The film follows one of his devotees as he attempts to navigate the gap between 1960s and contemporary spirituality.
Griffin, a rollerblader in the not so distant future of an economically wrecked Los Angeles, races against time to save both his younger brother and the city from the fate dealt out by the fascist rollerblading street gang, the Rollerboys.
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