Details the life of the Russian monk Rasputin. The film shows his rise to power and how it corrupted him. His sexual perversions and madness ultimatly leads to his gruesome assasination.

Based on a true story. Shortly after World War II, Preston Tucker is a dynamic engineer and an enthusiastic showman who envisions the car of the future. Against mighty odds he manages to build a fleet of them – only to have his factory shut down by Detroit’s Big Three automobile manufacturers. They took away his car – but nobody could take away his dream.

In Roman Polanski’s first English-language film, beautiful young manicurist Carole suffers from androphobia (the pathological fear of interaction with men). When her sister and roommate, Helen, leaves their London flat to go on an Italian holiday with her married boyfriend, Carole withdraws into her apartment. She begins to experience frightful hallucinations, her fear gradually mutating into madness.

Sexy but unstable wife and mother Jude walked out on her family three years ago. Now, just as suddenly, she is back. But her husband, Robert, has fallen in love with Callie, an assistant principal at his sons’ school. He asks Jude for a divorce. She responds by trying to turn her three boys against Callie, then by slashing herself and blaming her rival and finally by drawing her 12-year-old, Kes, into a murderous plot.

Of all the great ballerinas, Tanaquil Le Clercq may have been the most transcendent. With a body unlike any before hers, she mesmerized viewers and choreographers alike. With her elongated, race-horse physique, she became the new prototype for the great George Balanchine. Because of her extraordinary movement and unique personality on stage, she became a muse to two of the greatest choreographers in dance, George Balanchine and Jerome Robbins. She eventually married Balanchine, and Robbins created his famous version of Afternoon of a Faun for her. She had love, fame, adoration, and was the foremost dancer of her day until it suddenly all stopped. At the age of 27, she was struck down by polio and paralyzed. She never danced again. The ballet world has been haunted by her story ever since.

The Goalie’s Anxiety at the Penalty Kick is a 1972 German language drama film directed by Wim Wenders. It was adapted from a novella by Wenders’ long-time collaborator Peter Handke. A goalkeeper is sent off during a game for committing a foul. He spends the night with a cinema cashier, whom he afterwards kills. Although a type of detective film, it is more slow moving and contemplative than other films of the genre. It explores the monotony of the murderer’s existence and, like many of Wenders’ films, the overwhelming cultural influence of America in post-war West Germany.

From its start as an unassuming family comedy in 1987 to its eventual wildly popular 192-episode run, the film centers on the rise of the cast of one of America’s most beloved family sitcoms and the pressures they faced in balancing their television personas with their real lives.

In the final days of World War II, occupying Japanese forces in the Philippines face resistance from the local population and the American offensive. The dwindling Japanese soldiers attempt to survive through the horrors of war.

“Majo” Tonorio, a.k.a. Filly Brown, is a raw, young Los Angeles hip-hop artist who spits from the heart. When a sleazy record producer offers her a crack at rap stardom, Majo faces some daunting choices. With an incarcerated mother, a record contract could be the ticket out for her struggling family. But taking the deal means selling out her talent and the true friends who helped her to the cusp of success.

In 1993 New York City, dysfunctional co-dependent sisters discover that the mother they thought had died when they were young is alive and starring on a popular daytime soap opera.

Two professional con artist sisters go on the run and assume the identities of The Wilding Sisters, guest stars of a poetry retreat in the depths of the Black Mountains. A romantic comedy drama about love, crime, spirituality, and soul

Le Mirage is the perspective of a man in his thirties asking himself “what am I chasing?” Our society has become all about consumerism, if not excess. Success is determined by what and how much we have and “stuff” becomes the band-aid to a meaningless existence. Stuff fills the void of the existence we weren’t meant to lead.