When two brothers organize the robbery of their parents’ jewelry store, the job goes horribly wrong, triggering a series of events that send them and their family hurtling towards a shattering climax.
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In the 1980s, ruthless Colombian cocaine barons invaded Miami with a brand of violence unseen in this country since Prohibition-era Chicago – and it put the city on the map. “Cocaine Cowboys” is the true story of how Miami became the drug, murder and cash capital of the United States, told by the people who made it all happen.
Set in a small village in North Vietnam, a tale of awakening which traces a growing love triangle between Nham, an earnest and responsible 17-year-old country boy; the charming Ngu, his lonely and naive sister-in-law with whom he works closely in the fields; and Quyen, a stylishly vivacious expatriate who has just returned from the city, curious about life in the village where she spent her childhood. While all three characters are too reticent to unleash their feelings, the romance turns on the realization that this web of emotions is largely symbolic. Nham represents for Quyen an innocence and a past that she can’t recapture, just as she represents for Nham an urbanity and future prospects that he may never attain; and caught between the two is the delicate Ngu, left in the most desolate postion of positions.
December 1897, Paris. Edmond Rostand is not yet thirty but already two children and a lot of anxieties. He has not written anything for two years. In desperation, he offers the great Constant Coquelin a new play, a heroic comedy, in verse, for the holidays. Only concern: it is not written yet. Ignoring the whims of actresses, the demands of his Corsican producers, the jealousy of his wife, the stories of his best friend’s heart and the lack of enthusiasm of all those around him, Edmond starts writing this piece which nobody believes. For now, he has only the title: “Cyrano de Bergerac”.
26 year-old Karl Marx embarks with his wife, Jenny, on the road to exile. In 1844 in Paris, he meets Friedrich Engels, an industrialist’s son, who has been investigating the sordid birth of the British working class. Engels, the dandy, provides the last piece of the puzzle to the young Karl Marx’s new vision of the world. Together, between censorship and the police’s repression, riots and political upheavals, they will lead the labor movement during its development into a modern era.
An alien spaceship crash-lands in an isolated town in the middle of the Australian desert, releasing an insidious parasite that attacks the brain of all creatures including humans, making them disorientated, unnaturally strong and violent. Sargeant Jo Sharp, readying for a return to the big city beat, wakes to find the township, her family and friends falling victim to an evil that is spreading faster than it can be contained.
British film, released in the United States as “Stop Me Before I Kill!”. A few hours after their wedding, international racing driver, Alan Colby and his new wife Denise, are involved in a horrific car crash. Alan’s physical injuries heal but the mental blackouts continue. Denise suggests a delayed honeymoon in the south of France and it is here that eminent psychiatrist, Dr. Prade, promises a complete treatment to cure Alan’s suffering. The couple accept his offer unaware that it comes from a mind more hideously disturbed and psychologically unbalanced than Alan’s.
Ben Smith discovers a dead body in the wilderness, and things get strange when the identity of that body is an older version of himself. Now, Ben must make certain difficult choices knowing what the end result may be.
Growing up in post-World War II era Arizona, young Sammy Fabelman aspires to become a filmmaker as he reaches adolescence, but soon discovers a shattering family secret and explores how the power of films can help him see the truth.
A group of privileged students spend a night patrolling the prestigious Dhoultham school. However, it soon turns into the worst night of their lives as they face off against burglars, supernatural spirits and a deeper, darker evil. Directed by Russell England.
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