Bad Seed is the tale of a tiny little seed that some see as good and others believe is evil. Cannabis and hemp can drastically improve the quality of life of people suffering from a wide range of symptoms and illnesses yet people are denied relief due to marijuana’s bad reputation. Is cannabis a bad seed? Or have it’s extraordinary health benefits been unjustly suppressed by government, law enforcement and corporate manipulation? Following the story of a medical marijuana user and activist, filmmaker Shayne Metcalfe delves into the history of cannabis prohibition in Canada, the United States and Mexico over the past century. Incorporating the perspectives of law enforcement, doctors, lawyers, activists, commercial growers, medical patients, historians and entrepreneurs, Bad Seed tells the fascinating story of how one of nature’s gifts came to be vilified and provides an intriguing look at the rapidly changing marijuana landscape.
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In 1818, Mary Shelley wrote “Frankenstein; or, The Modern Prometheus,” a powerful and timelessness novel which eternal theme is nothing other than man’s quest for the secret of life. Since then, the Creature became a pop culture icon, overshadowing the novel and Doctor Frankenstein himself.
We Are the Giant tells the stories of ordinary individuals who are transformed by the moral and personal challenges they encounter when standing up for what they believe is right. Powerful and tragic, yet inspirational, their struggles for freedom echo across history and offer hope against seemingly impossible odds.
The shakuhachi is a famous Japanese lbamboo-flute. It was originally introduced from China into Japan in the 7th century and underwent a resurgence in the early Edo period. The film records the life of the shakuhachi performers, controllers, and learners in China, Japan, the United States
This one-off stand-up special is a performance of Simon Amstell’s stand-up show, ‘Numb’, which he toured to sell-out audiences around the UK and Ireland in 2012, as well as Australia and, more recently, Los Angeles, San Francisco and New York. Recorded specially for BBC Four at TV Centre, it’s a stripped-down, intimate performance, with no set and minimal lighting – a painfully raw, honest and deeply funny exploration of disconnection and loneliness.
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When fans cannot get close to the real thing, these professionals step in to fill the void. As the old adage goes, ‘imitation is the sincerest form of flattery.’ From a celebrity impersonator convention to their lives across the country, JUST ABOUT FAMOUS chronicles the few who have had the fortune, or curse, of looking like the most recognizable people on the planet.
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