André, a teenager, lives in an industrial town in Brazil near an old aluminum factory. One day, a factory worker, Cristiano, suffers an accident. Asked to go to Cristiano’s house to pick up clothes and documents, André stumbles on a notebook, and it’s here that Araby begins — or, rather, transforms. As André reads from the journal entries, we are plunged into Cristiano’s life, into stories of his wanderings, adventures, and loves.

In the near future, drive-in theatres are turned into concentration camps for the undesirable and unemployed. The prisoners don’t really care to escape because they are fed and they have a place to live which is, in most cases, probably better than the outside. Crabs and his girlfriend Carmen are put into the camp and all Crabs wants to do is escape.

The intertwining lives of three men reveal that each deal with his problems in different, self-destructive ways

When a remote farmer’s childhood sweetheart shows up unexpectedly, old flames are reignited and the pair unravel the mess that caused their separation.

Popular romance novelist Izzi Simmons (Tony(R) winner Ali Stroker) spends every Christmas at her favorite snowy bed & breakfast, but this year, she’s faced with an impending deadline and a severe case of writer’s block. Luckily, inspiration strikes in the unlikely form of the B&B’s new owner Matt (Daniel DiTomasso), who bears an uncanny resemblance to the handsome hero from Izzi’s novels. As both partake in the lodge’s annual itinerary of Christmas activities, Izzi’s writer’s block is cured and the first pages of her and Matt’s own love story may just be beginning.

In this sequel, Lillian has been adopted and it’s several years later. Annie, married and pregnant, visits her fellow doctor friend, Dr. Owen. Dr Owen desperately wants a baby, but seems unable to become pregnant. Lillian finds a love interest, an assistant to her adoptive dad, the latter has become quite overprotective.

Hannah and Amber Baker are trapped in a dark Southern underworld of violence, drugs and bikers. Both live in fear of their “Uncle Frank” Stinson, the ruthless leader of a crime organization.

A dramatisation that follows Tony Blair’s journey from political understudy waiting in the wings of the world arena to accomplished prime minister standing confidently in the spotlight of centre stage. It is a story about relationships, between two powerful men (Blair and Bill Clinton), two powerful couples, and husbands and wives.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

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Alone after losing his family in a car accident, a retiring police commander attempts to help a daughter he never knew escape heroin addiction and a past that endangers her, while investigating his best friend’s murder.

A young boy becomes trapped inside America’s rigid immigration process. (Feature adaptation of the 2016 short film, “Icebox.”)