Semi-autobiographical film directed by Franco Zeffirelli, telling the story of young Italian boy Luca’s upbringing by a circle of English and American women, before and during World War II.

A former gang member and her young cousin become embroiled in a vendetta between L.A. gangs, as rivals seek revenge for old crimes.

Two intertwined families, one American, one Mexican, and their fight to save three year old illegal Angelina from deportation.

Stevie is a sweet 13-year-old about to explode. His mom is loving and attentive, but a little too forthcoming about her romantic life. His big brother is a taciturn and violent bully. So Stevie searches his working-class Los Angeles suburb for somewhere to belong. He finds it at the Motor Avenue skate shop.

While filing for a divorce, beautiful ex-stripper Roslyn Taber ends up meeting aging cowboy-turned-gambler Gay Langland and former World War II aviator Guido Racanelli. The two men instantly become infatuated with Roslyn and, on a whim, the three decide to move into Guido’s half-finished desert home together. When grizzled ex-rodeo rider Perce Howland arrives, the unlikely foursome strike up a business capturing wild horses.

Dave Connolly is a respected member of the Garda Síochána but his loyalty to the law gets tested by his ex-convict brother Joe who is in desperate need of his help.

This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather — without snow. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see — as the outcome of their wait — the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighboring settlings, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs — the appearance of the foreigners, the extreme frost — disturbs the order of the small town. Ambitious personages of the story feel they can take advantage of this situation. The tension growing to the unbearable is brought to explosion by the figure of the Prince, who is pretending facelessness. Even his mere appearance is enough to break loose destructive emotions…

Actor / writer / director Erich von Stroheim stars as a fraudulent count, living high on the hog in Monte Carlo. He supports himself by extorting huge sums of money from silly married ladies who are dumb enough to fall for his romantic charms. Von Stroheim’s partners in crime, phony princesses Mae Busch and Maud George, live in a state of perpetual depravity with the count in a huge mansion. Their latest victim, played by an actress who insisted upon being billed as Miss DuPont, is the wife of an American financier. Von Stroheim’s attempted seduction of this particular foolish wife is thwarted at every turn, and the count ultimately gets his comeuppance.

An elderly woman who files endless complaints with the local office to right the wrongs around her forms an unlikely friendship with a junior civil servant when she begins learning English from him.

Following a very public fall from grace, country music star Faith Winters seeks refuge in her rural Texas hometown, where she rediscovers feelings for her high school sweetheart, the local pastor. But the homecoming is bittersweet.

An American doctor establishes an orphanage in Ecuador to help the starving and homeless children of the Amazon rain-forest.

Lee is a world-weary American woman who arrives in an Italian city. Her tangles with hotel staff, incessant smoking and her disregard of the persistently ringing telephone hint at her volatility brewing beneath the surface. Between fitful naps, she wanders the streets, snapping pictures of refugees as if her camera were both weapon and olive branch. Struggling to confront her demons, Lee resolves to help a beautiful young woman in need.