Bernard Salzmann’s thriller Assumed Killer tells the tale of a reporter investigating a serial killer. After she suffers an accident and becomes an amnesiac, she begins to suspect her husband may be the person responsible for the brutal slayings

Multimillionaire Steven Beard, a retired broadcasting executive, who fell hard for Celeste , an attractive waitress who served him his nightly cocktail at the local country club in Austin, Texas.

Two girls from nuclear towns in Israel and Iran spill their countries most valuable secrets on Facebook while trying to prevent a nuclear crisis.

The lives of an addict, a Luchador, a cartel organ smuggler, and an ex-con collide in this wildly original crime/drama/blacker-than-black comedy/thriller that’s as informed by Mexican subcultures as it is by American cinema.

In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage – diving into the exciting, fast-paced world of first experiences – quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women – his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent’s divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital – Oliver struggles to maintain his role as “man of the house” and his sanity.

Phillip is a wealthy quadriplegic who needs a caretaker to help him with his day-to-day routine in his New York penthouse. He decides to hire Dell, a struggling parolee who’s trying to reconnect with his ex and his young son. Despite coming from two different worlds, an unlikely friendship starts to blossom.

Eric O’Neill, a computer specialist who wants to be made an agent is assigned to clerk for Robert Hanssen, a senior agent with 25 years in the FBI, and to write down everything Hanssen does. O’Neill’s told it’s an investigation of Hanssen’s sexual habits, however Hanssen is really suspected of spying for the Soviet Union and Russia for years and being responsible for the deaths of agents working for the United States.

A gangster in Malaysia goes in search of his family after 25 years of imprisonment.

Ryo Morinaka is a university student and works part-time at a bar. He is bored with his daily life and exists in a state of torpor. One day, his friend Shinya Tajima brings the owner of a host bar over to the place where Ryo Morinaka works. Shizuka Mido is the owner of the host bar. Soon, Ryo Morinaka begins to work for Shizuka Mido at the members only host bar. He feels embarrassment initially, but he fulfills the desires of women and develops a sense of purpose.

A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens.

Karmageddon is an investigation of contemporary Western spirituality in the wake of the 1960s. It follows Bhagavan Das, an American whose spiritual journey to India in 1964 would shift American spirituality. He mentored Ram Dass, the Harvard psychology professor fired with Timothy Leary for their experiments into LSD. He inspired the book ‘Be Here Now,’ a key document of 20th century spiritual literature that brought Eastern practices to the West. Since the 1960s, Bhagavan Das has worked as a kirtan chanter and guru. He has also slept with over 500 women while at times dropping his spiritual calling to sell used cars and encyclopedias. The film follows one of his devotees as he attempts to navigate the gap between 1960s and contemporary spirituality.

Elle Marja, 14, is a reindeer-breeding Sami girl. Exposed to the racism of the 1930s and phrenological examinations at her boarding school, she starts dreaming of another life. To achieve this other life she has to become someone else and break all ties with her family and culture.