Beatriz, an immigrant from a poor town in Mexico, has drawn on her innate kindness to build a career as a health practitioner. Doug Strutt is a cutthroat, self-satisfied billionaire. When these two opposites meet at a dinner party, their worlds collide, and neither will ever be the same.

The film centers on a fight promoter (Mark Feuerstein) deeply in debt to his crooked rival. Desperate for a new fighter that will help him win back everything he owes, the promoter catches a break when a 450-pound church handyman (Paul “Big Show” Wight) who has spent his entire life in an orphanage agrees to wrestle on behalf of his fellow orphans.

The film centers around retired police detective Derrick Stanswood (Mann), who is called by a successful doctor about an unsolved case involving his wife Maggy (Cottrel) and their son, Cole (newcomer Kevin Fennell). Chasing after loose ends in a backward rural town, Derrick has no idea that Maggy has been held captive for the past eight years by farmer Lukas Walton (K.J. Linhein, “Jebediah”), who is raising Cole as his own son in a wrongful world that holds its own horrors (http://mrpotent.com/deerCrossing/).

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An atheist goes through a near-death experience in an auto accident before converting to Christianity.

When Chris, the coolest guy in school discovers that Roxy sees through his popularity and good looks, he enlists Cy to reverse catfish her-letting him take over his social media accounts to add substance to his style.

Infernal Affairs III is a 2003 Hong Kong crime thriller film directed by Andrew Lau and Alan Mak. It is the third installment in the Infernal Affairs film series, and is both a sequel and a semi-prequel to the original film, as it intercuts events before and after the events in the original.

Alejandro is an aspiring toy designer from El Salvador, struggling to bring his unusual ideas to life in New York City. As time on his work visa runs out, a job assisting an erratic art-world outcast becomes his only hope to stay in the country and realize his dream.

The Banishing tells the story of the most haunted house in England. In the 1930s, a young reverend, his wife and daughter move into a manor with a horrifying secret.

In this short film, Sarah and Matt have a ‘unique’ relationship. But when they throw a Halloween party, things take a turn for the worse.

Grace’s life begins to unravel when a woman with sinister intentions moves into her guest house.

Filmed entirely inside the world of virtual reality (VR), this immersive and revealing documentary roots itself in several unique communities within VRChat, a burgeoning virtual reality platform. Through observational scenes captured in real-time, in true documentary style, this film reveals the growing power and intimacy of several relationships formed in the virtual world, many of which began during the COVID-19 lockdown, while so many in the physical world were facing intense isolation.