For thousands of years, evidence of life after death has eluded mankind. Science is about to change that. With the help of a physicist, a blind medium, and Thomas Edison’s final experiment, Brayden Taylor embarks on a quest to contact his deceased fiancee. For his love to transcend dimensions, he must defy the laws of quantum physics. He must defy the balance nature demands. He must defy … Einstein’s God Model.

When John returns home to his father after serving time in prison, he is looking forward to starting his life afresh. However, in the local community his crime is neither forgotten nor forgiven.

In Greenwich Village in the early 1960s, gifted but volatile folk musician Llewyn Davis struggles with money, relationships, and his uncertain future following the suicide of his singing partner.

This visually stunning erotic drama follows a young man who finds himself unexpectedly attracted to his handsome, outspoken male professor. Despite — or perhaps because of — his conservative upbringing, Hins is intent on getting close enough to Ming to understand him. It’s an experience that transforms his life and comes to define his adult identity.

Alienated and cold, The Mortician (Method Man) processes the corpses with steely disregard. He is lonely and isolated. He is introduced to his new employee, Noah, (EJ Bonilla) by the morgue boss (Edward Furlong). Noah is a volatile youth working as part of his parole.Noah brings the notorious gangster, Carver (Dash Mihok), and his crew to the mortuary door. The Mortician’s attention is pricked by the tattoo of Botticelli’s ‘Birth of Venus’ inked on the body of a murdered woman (Judy Marte), that arrives at the morgue, triggering a series of haunting dreams from his childhood. Discovering a scared child, Kane (Cruz Santiago), fleeing the morgue, he’s forced to act. They become reluctant allies, struggling for redemption as they run. Through his awkward heroism, the Mortician reconnects with his long forgotten past, and finds the answers he’s been searching for. He find redemption and peace.

When Duffy Bergman, a New York cartoonist, meets Meg Lloyd, a gourmet chef, he discovers the love of his life and they marry — yet love alone isn’t enough to make them happy. Meg decides she wants to have a baby, a goal that initially makes Duffy frantic, but soon becomes his most important desire as well. When they are unable to have a baby, Meg begins concentrating on her career and the two slowly drift apart — eventually separating. Later, when Duffy is speaking at a convention of the Delta Gamma sorority, he reveals that the Delta Gamma girls have always been his dream girls — his Love Goddesses. There he meets the young and uninhibited Delta Gamma girl, Daphne Delillo. When Daphne moves to New York to work as a network sports reporter, their mutual attraction and Daphne’s spontaneity spark an adventurous new relationship for Duffy. Now Duffy must decide which is more valuable to him — the relationship he has given up, or the relationship he has always dreamed of having.

Legendary baseball coach, Don, gets inexperienced Michael as his new assistant coach. As their lives dramatically change, the coaches must come together to help their team win.

Jodi, the tallest girl in her high school, has always felt uncomfortable in her own skin. But after years of slouching, being made fun of, and avoiding attention at all costs, Jodi finally decides to find the confidence to stand tall.

This morning they were playing ping-pong in the hospital rec room. Now they’re lost in New York and framed for murder. This was never covered in group therapy.

In this adaptation of the best-selling roman à clef about Bill Clinton’s 1992 run for the White House, the young and gifted Henry Burton is tapped to oversee the presidential campaign of Governor Jack Stanton. Burton is pulled into the politician’s colorful world and looks on as Stanton — who has a wandering eye that could be his downfall — contends with his ambitious wife, Susan, and an outspoken adviser, Richard Jemmons.

Tired of the noise and madness of New York and the crushing conventions of late Eisenhower-era America, itinerant journalist Paul Kemp travels to the pristine island of Puerto Rico to write for a local San Juan newspaper run by the downtrodden editor Lotterman. Adopting the rum-soaked lifestyle of the late ‘50s version of Hemingway’s “The Lost Generation,” Paul soon becomes entangled with a very attractive American woman, Chenaults and her fiancée Sanderson, a businessman involved in shady property development deals.  It is within this world that Kemp ultimately discovers his true voice as a writer and integrity as a man.

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