A woman who has a funny bone for a backbone, Funny Cow charts the rise of a female stand-up comic who delivers tragedy and comedy in equal measure in the sometimes violent and always macho clubs of Northern England in the ’70s.

Camp Beaverton is the Home for Wayward Girls, the only queer, all women, trans-inclusive, sex positive theme camp set within Burning Man, an 8-day experimental art festival that encourages radical self expression found deep within the Nevada desert. The Beavers create a safe space to explore their boundaries while they build a community of friendship, trust, and lifelong relationships.

Gretta’s celebrity boyfriend breaks up with her after a long-term relationship, leaving the singer to find success on her own. With the help of record producer, Dan and hip-hop celebrity, Trouble Gum, Gretta strives to fulfil her musical ambitions.

This 2001 J-Horror effort from director Naoyuki Tomomatsu is set in a future dystopia where teenaged girls begin dying for no apparent reason — and often in an elated, chronically happy state of mind. One of these girls, Stacy, is back from the dead, however, and she’s ready to gorge herself on human flesh. As more and more teenage-girl zombies begin to feast on the living, the people of Japan brace themselves and try to find a way to end the madness.

‘Chirakodinja Kinavukal’ is based on the story of the same name by the character Ambujakshan (Sreenivasan) from the film ‘Azhakiya Ravanan’. The story of Ambujakshan was discarded by Sankar Das (Mammootty) and friends of ‘Azhakiya Ravanan’. But Ambujakshan does not give up hope. In the new gen era, he meets the new directors and finally his wish is fulfilled. The movie directed by debutant Santhosh Viswanath features Kunchacko Boban and Rima Kallingal in the lead roles. ‘Chirakodinja Kinavukal’ is the story of a tailor and his love interest Sumathy (Rima Kallingal), daughter of a wood cutter. Kunchacko Boban does the roles of the tailor and an NRI who comes to marry Sumathy.

At the top of their career, Eric & Quentin are doing a terrible bad buzz that threatens to wipe out their reputation.
To save their skin, they have only one solution: to realize a good buzz in less than 48 hours!

Fresh off ripping space-time a new one at the end of “Bender’s Big Score,” the Planet Express crew is back to mend the tear in reality, or (hopefully) at least not make it worse. Beyond the tear, though, lurks a being of inconceivable…tentacularity. What will become of Earth, and indeed, our universe, when faced with the Beast with a Billion Backs?

In the late 17th century, with plague ravaging the land, Benedetta Carlini joins the convent in Pescia, Tuscany, as a novice. Capable from an early age of performing miracles, Benedetta’s impact on life in the community is immediate and momentous.

The two owners of the Long Shot Copies shop struggle against a copying giant, King Co. Having gotten their start from a $100,000 windfall when one of them hit a promotional mid-court basketball shot, they have to find a way to keep their company afloat or fold. Thus starts a series of gimmicks and a war against the opposition, particularly after they are visited by a corporate thug.

A cantankerous and brilliant architect, Alfred, embarks on a highly unusual commission in Malta for a man who calls himself ‘The Grand Duke of Corsica’. An epidemic hits the Island and all must flee, but Alfred remains to finish the job.

Returning to themes he first explored in La strada (1954), Fellini crafts a parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. The odd couple, Ivo Salvini (Benigni), a fake inspector of wells, and Gonnella (Villaggio), a former prefect, wander through the Emilia-Romagna countryside of Fellini’s childhood and discover a dystopia of television commercials, fascism, beauty pageants, rock music, Catholicism, and pagan ritual.

This is an update of George Bernard Shaw’s “Pygmalion” that changes the genders of the main characters. Hannah Higgins attempts to turn blue-collar Boston beer vendor Elliot Doolittle into a viable candidate and inadvertently learns something of Elliot’s side of life.