“The Manor,” is the macabre tale of mental patient, Amy Hunter and the horrific events that follow her release from Psychiatrist, Dr. Tryvniak . Amy’s mother, Jane feels it best to immerse her daughter in the warm, family atmosphere of Anders Manor, inviting Amy’s long lost family to join them at the manor. The Manor, however, has deeper plans for the Hunter Family, as gatecrashers and cultists arrive as the nefarious and ancient demonic force, goes to work, in short order, to sew madness and reap blood.
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Film censor Enid takes pride in her meticulous work, guarding unsuspecting audiences from the deleterious effects of watching the gore-filled decapitations and eye gougings she pores over. Her sense of duty to protect is amplified by guilt over her inability to recall details of the long-ago disappearance of her sister, recently declared dead in absentia. When Enid is assigned to review a disturbing film from the archive that echoes her hazy childhood memories, she begins to unravel how this eerie work might be tied to her past.
Trapped in a London subway station, a woman who’s being pursued by a potential attacker heads into the unknown labyrinth of tunnels beneath the city’s streets
A mute boy is trapped in his apartment with a sinister monster when he makes a wish to fulfill his heart’s greatest desire.
Celal, 30ish year old writer at a magazine. He is fond of beautiful girls. After getting busted by his girlfriend with another girl,he kicked out from their apartment. He searches for a place to stay and searches a place to stay. He stops by an old, ruined house for a room for rent. He checks the room, he revolts from the mess. While leaving the house, he sees a beautiful girl is living next door… He changes his mind and hires the room. Unaware of strange things will happen in the house.
Unholy Women (Kowai onna), is a composite of three unrelated half-hour horror movies. A compilation of 3 separate short horror films (Rattle Rattle, Hagane, The Inheritance) written and directed by Keita Amemiya, Takuji Suzuki, and Keisuke Toyoshima respectively. The first segment, “Rattle Rattle”, tells the story of a young woman who is pursued by an evil other-worldly being. The second movie, “Steel”, concerns a young man who agrees to take the sister of his boss out on a blind date, drawing him into a world more frightening than he ever dreamed possible. The third and final episode, “The Inheritance”, is a supernatural tale of a woman and her young son, scarred by abuse and psychological trauma.
A group of film students investigate an abandoned lab and discover a lethal virus that renders people incapable of lying before they die.
In 1988, evil begins to terrorize young sisters Katie and Kristi for the first time when an invisible entity resides in their home.
Freelance reporter Jennifer and her two friends, Karen and Vicki, accept an invitation for cheap room and board in a large farmhouse offered by a friendly, but shady, museum owner named Ernest Keller since all the motels in and around town are booked for a holiday parade fair Jennifer is covering. But unknown to the women, some unseen “thing” has been living in the basement of the house for over 20 years and is looked after by Keller and his shy sister Virginia, in which the “thing” soon gets out and begins harassing and killing the women one by one in various violent, but seemingly accidental, means.
John Woo’s “The Killer” meets Shakespeare’s MacBeth in this gun barrel, hip-hop drama seen through African eyes. “Bloody Streetz” is the story of what happens when a ruthless killer for hire runs up against an African spirit and is forced to learn the errors of his ways.
In the future, a strange fungus has changed nearly everyone into a thoughtless, flesh-eating monster. When a scientist and a teacher find a girl who seems to be immune to the fungus, they all begin a journey to save humanity.
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