A young rock band, half from England and half from the US, drop out of college and move to the Sunset Strip to chase their dreams.
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During a late night taping of “Dr. Nasty’s Cavalcade of Horror”, bloody chaos takes place during the screening of two features (“Dinner for Monsters” and “Slit”). Samantha/Nurse Nasty is frustrated by how the show is being run by its womanizing director and its drunk and crazy host Dr. Nasty.
Hope Williams, a successful ER doctor, reluctantly meets an accomplished artist on a girls night out. He is everything her past lovers were not, and he forces her to discover a side of her that she never knew existed. As Hope’s sexual life steams up, her work takes a turn for the worse when an abusive husband of a battered patient blames her for his misgivings. Soon, Hope’s personal life becomes entangled with her work life, and both are put at risk
Seyi, a 24-year-old Nigerian-American, works on Wall Street. Desperate to succeed because of his outsider status-due to class and race-he commits a crime, insider trading, which brings his entire world crashing down on him. Seyi’s troubled circumstances force him finally to confront his tumultuous relationship with his ailing father, his romantic relationship with his privileged white girlfriend, and his racial and immigrant backgrounds-with nothing less at stake for him than his soul.
A young married couple comes home from a date night to discover that they are imprisoned in their own house with a methodical killer inside.
During the “Made in Germany” tour, Swedish director Jonas Åkerlund filmed two acclaimed Rammstein concerts in March 2012 – each for an audience of 17,000 at the Bercy Arena in Paris. In the resulting film (with 16 songs from the entire repertoire), Jonas Åkerlund takes a radically new approach to capturing the emotion and thrill of Rammstein’s live performance. Jonas Åkerlund: “We shot two nights in Paris, and we had 30 cameras, so that gives you 60 angles, plus we shot a dress rehearsal for close-ups. That gives you a massive amount of footage. This is a whole Rammstein-show, and I take the footage and cut it with the same precision that I would a 3-4 minute music video. Even with a big crew of editors, it took us over a year to nail down the edit. Looking at it now – that is the strength of this project. It really brings the show alive and shows what Rammstein is all about.”
A rebellious teenager forced to repeat her last year of high school is caught between adolescence and adulthood – and between two very different male admirers.
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