VIOLET follows “Violet Morton,” a 32 year-old film executive who is living her life listening to this “Voice,” resulting in fear-based decisions. She has made these decisions to avoid potential “worst-case scenarios” in her romantic life, her family life, and her professional life, and they have taken her away from who she really is. She has grown accustomed to this, to not being quite “herself,” and sees nothing amiss, until a friend’s comment makes her realize that The Voice has been lying to her. Her entire life.

As he copes with the death of his fiancee along with her parents, a young man must figure out what he wants out of life.

In 1950s small-town Britain, a doctor develops an intimate relationship with her young patient’s mother.

Special Agent Jennifer Marsh (Diane Lane) works in an elite division of the FBI dedicated to fighting cybercrime. She thinks she has seen it all, until a particularly sadistic criminal arises on the Internet. This tech-savvy killer posts live feeds of his crimes on his website; the more hits the site gets, the faster the victim dies. Marsh and her team must find the elusive killer before time runs out.

Trapped overnight by an unknown assailant, a babysitter struggles to stay safe. As the hours tick by, she realizes that the greatest threat might be from the very children she’s trying to protect.

Something sinister has come to the shores of Erin Island, unbeknownst to the quaint population of this sleepy fishing village resting somewhere off Ireland’s coast. First, some fishermen go missing. Then there is the rash of whale carcasses suddenly washing up on the beach. When the murders start, it’s up to two mismatched cops – an irresponsible alcoholic and his new partner, a by-the-book woman from the mainland – to protect the townsfolk from the giant, bloodsucking, tentacled aliens that prey upon them. Their only weapon, they discover, is booze. If they want to survive the creatures’ onslaught, everyone will have to get very, very drunk!

Dreams can make a life worth living, but they can also be dashed by bad decisions. This is the crossroads whare the Younger family find themselves when their father passes away and leaves them with $10,000 in life insurance money. Should they buy a new home for the family? Perhaps a liquor store? While no choice is easy, life on the South Side of Chicago in the 1950s is even harder.

A Puerto-Rican ex-con, just released from prison, pledges to stay away from drugs and violence despite the pressure around him and lead on to a better life outside of NYC.

Genealogist Sophie McClaren is an expert at bringing families together. When her close friend Jonathan urgently needs to find a bone marrow donor, the case becomes personal.

Funeral home is the last stop of the deceased ones. This is also where `turn undead` take place, the ritual that purifies the soul. The soul hasn‘t gone through the ritual is usually a haunting one. They still have things undone in human world. In order to finish that, they usually do something disturbing which led to supernatural incidents. Three seemingly seperate stories happen at funeral home intertwine.

Constantly mistreated by her cruel, alcoholic husband Chun-yu (Wang Jung), frail Chan Sau-ying (Tanny Tien Ni) awaits certain death from tuberculosis. New servant girl Yi-wah (Chen Szu-chia) takes pity on her mistress’ plight but, after suffering Chun-yu’s abuse once too often, the pair proceed to drown him one evening. They dump his body in a near-by pond but Sau-ying believes that the man’s bloated corpse has risen from the bog to seek vengeance. Yi-wah dismisses her claims as the delusions brought about by guilt and her illness but it appears that the house is indeed being haunted by a corpse that will not be easily appeased.

Summer in Berlin. Jonas is planning a trip through the little known area of the Uckermark in preparation for a photography project. He invites his best friend, Phillip, to come along. When they pick up a hitchhiker named Boris, the friendship of the two starts to fray. Maybe three’s a crowd after all? By the end of the summer, things between Jonas and Phillip won’t ever be the same again.