Ai Weiwei is known for many things – great architecture, subversive in-your-face art, and political activism. He has also called for greater transparency on the part of the Chinese state. Director Alison Klayman chronicles the complexities of Ai’s life for three years, beginning with his rise to public prominence via blog and Twitter after he questioned the deaths of more than 5,000 students in the 2008 Sichuan earthquake. The record continues through his widely publicized arrest in Beijing in April of 2011. As Ai prepares various works of art for major international exhibitions, his activism heats up, and his run-ins with China’s authorities become more and more frequent.
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HIGH TECH, LOW LIFE follows the journey of two of China’s first citizen reporters as they travel the country – chronicling underreported news and social issues stories. Armed with laptops, cell phones, and digital cameras they develop skills as independent one-man news stations while learning to navigate China’s evolving censorship regulations and avoiding the risk of political persecution. The film follows 57-year-old “Tiger Temple,” who earns the title of China’s first citizen reporter after he impulsively documents an unfolding murder and 27-year-old “Zola” who recognizes the opportunity to increase his fame and future prospects by reporting on sensitive news throughout China.
An intimate portrait of the city and its people. We meet the characters in the NYC subway and we follow them to the surface finding out about their lives, cravings, passions, hopes and dreams – sometimes lost and sometimes still waiting to be fulfilled. What comes out of it is an emotional tale of solitude that haunts us in 21st century western world.
Modern industrialization is no longer about steam power, ocean ships, and railways. It’s about herd immunization, the mass drugging of our population, and the industrialized production of cheap, storable food. We’ve ended up with an entire society getting sicker and sicker while the industrial powers get richer and richer.
Yehudi Menuhin was the 20th century’s greatest violinist. He was a child prodigy but the man behind the violin was harder to know. Endlessly touring and crossing continents and cultures, his contract with EMI was the longest in the history of the music industry. He took classical music out of the concert hall because he believed music was for everyone and had the power to change lives. An impassioned idealist, Yehudi wanted to give more to the world – he became a tireless fighter for humanitarian issues he believed in. In this film, commemorating the 100th year of his birth, family and close friends recall his extraordinary musical life, in which he embraced jazz and Indian ragas as much as Bach, Beethoven and Bartok. And incredible home movies take us on an intimate behind-the-scenes journey from his childhood in California, to meeting gypsies in Romania and travelling to India and beyond.
Meet a surgeon who claims to remove highly advance implants, nanotechnology microchips imbedded by aliens, non-humans monitoring our earth. Discover the world of abductions, scalar wave transmissions and a program to study or manipulate the human race. Armed with a patient, a scalpel, black lights and a stud finder – we seek to verify the authenticity of this alleged Off-World Implant Technology.
Taking more than six years to complete, The Cut is a feature-length documentary that conclusively proves that female genital mutilation or cutting (FGM) can be found as a native practice on all inhabitable continents. From war zones in the Middle-East to bucolic Middle America, the film visits 14 countries and features key interviews with FGM survivors, activists, cutters, doctors and researchers to uncover an often secret practice shrouded in centuries of traditions, mysticisms and irrationalities.
When a legendary escape artist comes up for parole after 30 years behind bars, a chance for freedom must be weighed against his infamous past.
In the 1980s, ruthless Colombian cocaine barons invaded Miami with a brand of violence unseen in this country since Prohibition-era Chicago – and it put the city on the map. “Cocaine Cowboys” is the true story of how Miami became the drug, murder and cash capital of the United States, told by the people who made it all happen.
With a career spanning decades Photographer Rose Hartman is known for her iconic photos from Studio 54 and the fashion world, her boisterous personality, and ever presence capturing the New York social scene. The film follows Rose through her life of entrée as she put the lives of the glamorous and famous on film that serves as one of the few visual histories of NYC.
McLibel is a documentary film directed by Franny Armstrong for Spanner Films about the McLibel case. The film was first completed, as a 52 minute television version, in 1997, after the conclusion of the original McLibel trial. It was then re-edited to 85 minute feature length in 2005, after the McLibel defendants took their case to the European Court of Human Rights.
Dr. Steven Greer’s previous works, SIRIUS and UNACKNOWLEDGED, broke crowdfunding records and ignited a grassroots movement. CLOSE ENCOUNTERS OF THE FIFTH KIND features groundbreaking video and photographic evidence and supporting interviews from prominent figures such as Adam Curry of Princeton’s PEAR Lab; legendary civil rights attorney Daniel Sheehan, and Dr. Russell Targ, who headed the CIA’s top secret remote viewing program. Their message: For thousands of people, contact has begun. This is their story.
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